Design Office: Emil Dervish
Location: Kiev, Ukraine
Photographs: Emil Dervish
Design Office: Emil Dervish
Location: Kiev, Ukraine
Photographs: Emil Dervish
The liveable, tactile and comforting Peninsula Residence is located in Melbourne, Australia.
It was designed by SJB Interiors.
Description by SJB Interiors:
Peixoto House located in Tui, Spain.
It was designed by Erbalunga Studio.
Description by Erbalunga Studio:
The owners of this house were not reflected in the layout of their old apartment. Small consecutive spaces, arranged longitudinally along a corridor that gave them access to the various uses and rooms. An overly simple and inefficient structure for a contemporary dwelling.
From the beginning, multipurpose spaces were created and with scope for new possibilities. It was necessary to flee from a totally closed and without freedom, that prevented the appearance of new habits, hobbies, activities or ways of thinking.
The kitchen, dining room, living room or work area were articulated in a single space separated from the most private areas of the house.
A simple, clean, and unconventional design, helps this large space is the engine and generator of life in this apartment. A great space that can be transformed and be what their owners need in every moment.
In addition, the layout of the longitudinal route is broken generating a zig-zag path that leads diagonally to the guests from the most public to the most private zone establishing relationships between the different uses of the house.
It is a house in which the square meters of all the rooms recover their value and efficiency, forming part of an atmosphere of space and light, the true luxury of an urban dwelling.
The Shenzhen Marriott Hotel Nanshan transformed from the original colorful and luxurious style into the latest clean and elegant style and is located in Shenzhen, China.
It was designed by Cheng Chung Design.
Description by Cheng Chung Design:
Marriott International Business Image is Transforming The business image of Marriott International has undergone significant transformation from the original colorful and luxurious style into the latest clean and elegant style. Without excessive decorations, the architectural structures have become even more prominent to the eyes. Since Shenzhen Marriot Hotel Nanshan has planned to create a business image that focus on nature, fresh, modern, eco-friendliness, and technology, all materials applied in the hotels are of natural, ecological, handmade, and customized styles.
CCD First Creates an “Art Museum” Hotel The artworks placed at different floors of the hotel are originally designed by CCD. Together with experienced artists and fine craftsmen, CCD has made a dazzling array of beautiful artworks, creating an elegant and scholastic atmosphere nearly everywhere in the hotel.
Appraisal from All Sectors of the Community Three months since Shenzhen Marriot Hotel Nanshan was first opened to the public, all sectors of the community have been attracted to visit and experience the hotel for themselves. Many important clients, such as China Resources, Ping An Insurance, China Merchant Group and Huawei Technologies have made a special effort to organize a tour to visit the hotel in person. Some commented, “The hotel is both elegant and refined,” others commented, “The simple and fashionable style is indeed refreshing,” still others commented, “The hotel makes people feel comfortable at the first glance. It feels just like home.” Above all, most visitors commented the hotel as being “elegant”.
Design Principle Shenzhen Marriot Hotel Nanshan is located at Nanshan District of Shenzhen City, where Nanshan Mountain is widely famous for. Leaning against the mountain and facing the sea, the entire Nanshan District is historically known as a land filled with abundant plain and ocean resources. With both hands, local aborigines weave not only their fishing nets, fishing gears, clothes, hats, and shoes, but also their happy lives. Lychee flowers and lychee fruits that grow all over the mountain are indeed a real
blessing from heaven – suitable for our guests to experience “spring outings”, “summer resort”, “autumn hiking”, and “winter greenery” throughout the year.
Fishing villages, aboriginal weaving crafts, fishing nets, fishing gears, rolling hills and beautiful lychee flowers have all become the inspiration source of hotel designs. In particular, patterns and designs on the carpets, aesthetic linen clothes, folding screens, and fireplaces of the hotel have all embodied the image of “crisscross weaving crafts”, “nets”, “mountains”, and “lychee flowers”.
In terms of raw materials used, “stone material”, “wooden material”, “leather material” and “linen material” that exhibit natural textures and light tones are vastly applied in the hotel designs. Between prosperity and serenity, a sense of friendliness and peacefulness can be found. Several detail processes and atmospheric illuminations that bring out overall quality are applied to create an elegant and cozy spatial atmosphere, granting our guests with a sense of introverted elegance rather than superficial luxury.
By utilizing an approach that was originally intended for designing resort hotel, the design team has transformed the stereotypical business hotel into a “recreational business hotel”. As to guest room design, the design team was committed to create a spatial experience of a “private study room” in which our guests can rest their minds and read to their hearts’ fullest contents. With coziness and relaxation of a home and strict and cautiousness of an office interacting at the same time, an elegant, clean, and soft lifestyle is created, allowing our clients to relax from an exhausting day of business trip and pick up their business inspiration ever once again.
Hotel Introduction Shenzhen Marriott Hotel Nanshan is strategically located in the business center of Nanshan district, place in the landmark building with 300.8 meters height. The hotel offers 340 elegant guest rooms and suites (338 rooms + 1 presidential suite + 1 vice presidential suite) with captivating harbor and city views. In addition to that, the hotel has multiple high-end restaurant, including Nanshan Kitchen All Day Dining Restaurant, Man Ho Chinese Restaurant, Kanji Modern Japanese Restaurant, Lobby Lounge, The Café and Executive Lounge, offering guests both abundant choices and elegant environment. On the 62nd floor are a boundless swimming pool and a SPA center where our guest can relax and observe the splendid view right before their eyes. Furthermore, the hotel also possesses banquet and conference site which cover an area of 2,100 square meters.
Design Office: Cheng Chung Design
Location: Shenzhen, China
The former village school, which transformed into a house, is located in Tournai, Belgium.
It was designed by Guillaume Da Silva.
Description by Guillaume Da Silva:
This project was implemented in a former village school not far from Tournai (wallonie) close to the Belgian border. Classrooms partitions were removed in order to create intense light spaces. The garden with the pool replaced to the playground, the courtyard became a covered terrace. This building from the 20’s was renovated and transformed to welcome a family. Interior designing rests on various concepts:
• Highlighting the existing architecture and rough materials in some places, referring to the past.
• Working on lighting to create an atmosphere
• Working on indoor and outdoor spaces, creating perspectives and framing, elaborating symmetry and volumes proportions.
Design Office: Guillaume Da Silva
Location: Tournai, Belgium
Photographs: Guillaume Da Silva
The contemporary home is located in Melbourne, Australia.
It was designed by Alexandra Buchanan Architecture.
Description by Alexandra Buchanan Architecture:
Covered in trees with restricted access and falling steeply to the river, the site posed a number of design challenges, including Environmental and Bushfire Overlays (BAL29). The form and materiality of the house were guided by the views, orientation, topography and context.
The twin butterfly roofs lift the eaves to catch daylight from every direction and enhance the sense of space and connection to outdoors. The house’s dual ‘wings’ slide with the landscape to create privacy for neighbouring properties while maximising views, daylight and access to external entertaining spaces. A glazed circulation slot creates a dramatic but efficient connection between the two forms.
The generous roof terrace with external fireplace and arbour allow for contemporary outdoor entertaining as the natural terrain of the site falls below, relatively untouched.
Design Office: Alexandra Buchanan Architecture
Collaborators: Hive Engineering, Nathan Burckett Landscape Design
Location: North Warrandyte, Victoria, Australia
Area: 249,0 m2
Construction team: Eco Edge Homes
Photographs: Marvelle Photography
Ett Hem, the unusual and different hotel is located in Stockholm, Sweden.
It was designed and renovated by Studioilse.
Description by Studioilse:
Built in the first years of the twentieth century, this building was home to a government official and his wife, a lady with a love for the aesthetics of Karin Larsson, who collected objects, textiles and furniture from all over Sweden. This was a time when the home became the focus of art and life, and design was integrated into the everyday. The influence of the Arts & Crafts, the romantic notion of national character and the delight in the design of useful things, combined with an impulse to embed a family in a place through architecture. All together this created a very special moment for domestic architecture in Sweden.
Ett Hem, built in 1910, dates from this moment. The house in Sköldungagatan was designed by architect Fredrik Dahlberg. With its protective brick shell it weaves a coat against the harsh Swedish winter. In its interiors it has both the robust, dark-timberlined rooms of public life, the masculine realms.
Each room has its own cocktail cabinet in gleaming brass. And throughout the house is the owners’ personal collection of art and photography. At the heart of it all is the kitchen. Furnished with a big table, comfy chairs and settles.
Ett Hem is not the usual hotel. If Ett Hem is an idea of home, of comfort and security, of familiarity, the other is an institution, a series of services. Ett Hem is something very different. It is active, where the guests can subtly shift the conditions, the atmospheres, the conviviality. A hotel is passive, a place that exists with or without you.
While it has all the facilities expected today, Ett Hem is a place that allows the guest to become part of it. Guests are treated as friends of the family. They can turn on the television in the sitting room, borrow our car or take the dog for a walk. They can make themselves at home, help themselves from the fridge. The food changes with the seasons, the rooms warm up with stoves and cool down with a fresh breeze from an open window. Ett Hem is connected to the street and the sky, to the city, it is not a machine cut off from life outside. Ett Hem is as glamorous as it is casual, but while it is a luxury, it is not a luxury hotel.
The value of Ett Hem comes through the pleasure of proximity to beautiful things, of being in spaces that tell a story, and through an ethic of generosity and care. And to a degree, of being left alone to live in a very special house. This from the moment you step through the college door, enter the courtyard into the garden and go up the steps to the front door. In the entrance hall a fire is lit when its cold outside, and fresh cut flowers from the garden are arranged on the table. Check in and wait for friends by the fire. Ett Hem will feel familiar. It is a place to use as you please. Downstairs in the sitting room there are sofas to sink into and games to play. The library, a room to disappear into, is stacked high with books you actually want to read. And the leafy glass house, where you can take breakfast during the day, or where you can enjoy a twinkling feast at night. Upstairs the bedrooms have a warm domestic feel with a sophisticated edit of vintage and new pieces in tactile materials such as cane, wood, leather.
Design Office: Studioilse
Location: Stockholm, Sweden
Project Year: 2012
Photographs: Magnus Marding
The Loft 19, an abandoned and peaceful environment with special aesthetics, is located in Budapest, Hungary.
It was designed by A+Z Design Studio.
Description by A+Z Design Studio:
“This is an island over the city, abandoned and peaceful environment with special aesthetics.“
No matter that living there is a bit like plunged into the world of the “Sin City” or the science fiction movie “Metropolis” of Fritz Lang.
The architect and production designer Attila F. Kovács and his wife art director and stylist Zsuzsa Megyesi found this unusual giant space and movie set like environment ideal for making their home.
The HFF kniting factory complex is located in the southern part of the capital of Hungary, Budapest and dates as early as from 1913-1915. It was originally built as a weapon factory designed by Árpád Gut and Jenö Gergely. The Loft 19, this tower like 600 sqm four-story -building and the huge factory complex are protected industrial monuments .
A concrete fire water tank was found in the attic which was turned into a swimming pool with artificial current. The design of the space is a personal mix of different styles and eras. It is full of special pieces, collected one by one during decades in flea markets, auctions and antique shops or created by the designers themselves. Huge windows, light, the unusual size rooms , the old structural elements and materials play the main role . Old iron doors were kept, original beams reused for book shelves. The bedroom level on the contrary was designed to be bold and private with a mid century “boudoir like” atmosphere to it.
Design Office: A+Z Design Studio
Location: Budapest, Hungary
Photographs: Beppe Brancato
The Coolum Bays Beach House is located in Queensland, Australia.
It was designed by Aboda Design Group.
Description by Adoda Design Group:
As former owner of the adjoining property, the client’s imperative was to accommodate a family with the three children nearing adulthood and take advantage of the amazing potential for white water views from the Coolum Bays all the way to Noosa Heads. The challenge was to accommodate a steep driveway from Fauna Terrace, which tucked under the home to accommodate three cars (without requiring excavation of rock), half-storey accommodation above all within the local planning envelope.
Once the site constraints were fully understood, the building form was developed to accommodate the four en suited bedrooms, two living areas plus media room, kitchen, dining, laundry, home office, two powder rooms, workshop, pool and rainwater tank.
From the outset, the client (also the builder) confirmed the preferred floor construction was suspended concrete and the planning was then explored to exploit the best of this material, including large spans and cantilevers. Similarly, the desire to project the roof over the pool and deck could only be realised in structural steel – achieving a dramatic plane which ‘letterboxes’ the ocean vistas through a horizontal aperture.
The client also requested a durable, low maintenance home that would handle the extreme weather events that can occur in this location. As a result of its projection from the hillside, the wind and rain can be torrential, however through clever planning the family room was located at the south east end of the building, providing a buffer, creating comfortable, protected outdoor space on the adjacent deck.
As an informal family, the intent was to have a home that would ensure that everyone remained connected to one another, whilst also achieving distinct public and private spaces. Predominantly, this was achieved by stepping the building down the site, so that spaces cascade as half levels. The only full flight is to the private master bedroom suite located on the upper floor.
Again through clever planning and the integration of operable and fixed sun control devices (batten screens, vertical blades, natural vegetation), the home enjoys wonderful privacy from the street and neighbours, all without requiring boundary fencing.
Living spaces are arranged along this axis, all with access to northern light. A consequence of the steepness of the site was that the only compliant driveway location would be along the northern boundary, with car parking tucked beneath the house to maximise the northern exposure. Living spaces are arranged around the pool, which brings the benefits of cooling breezes and dappled light.
All three en suites are arranged to the west of the house, to act as a thermal buffer between the hot afternoon sun and the main living and bedroom spaces. Windows are kept to a minimum on this elevation and in the case of the master suite, are covered with a feature sun control batten screen over the fully operable louvres.
On the southern elevation, glazing is again used sparingly to achieve vistas of trees and the bays, and draw cool breezes through the house.
On the northern elevation, shading devices range from operable vertical blades to the living; timber batten screens to the study and master bedroom; and a large, projecting cantilevered roof over the pool and deck.
Glazing is generally highly operable stacking sliding doors or louvres and incorporate low-e glass. Fixed glass is used in locations heavily exposed to gales.
The materials sourced were a combination of concrete and steel for structural strength and durability, both readily available and recyclable, and locally sourced pine framing generally, with hardwood used for exposed timber elements. Wall finishes were Rockcote polymer render or James Hardie lightweight fibre cement cladding. Glazing and the feature entry awning are lightweight aluminium. Western red cedar was selected for the battens due to its hardiness.
The home is defined by clearly articulated shapes, the rectangular white master en suite box, flanked by the raking off form concrete ground floor en suites, in a symmetrical composition, capped by the feature polycarbonate awning. Contrast is achieved between the lightness of the upper elements and frameless glass entry door, counterpointed by the heaviness and solidity of the concrete boxes, feature tiled external walls and landscape gabions.
To the northern elevation, the composition is more dynamic, projecting from the hillside out towards the bays, the cantilever achieved with a combination of up and down-turned rendered concrete beams and concealed steel members hidden in the deck and roofs.
The home connects to Fauna Terrace, the bays and to Noosa Heads. At the street end, a steep slope has been tamed with the introduction of large format off form concrete ‘steppers’ and the conscious decision not to fence the site. Separation, as is the case internally, is achieved via levels rather than physical barriers. At the eastern end, the projection of the living spaces, particularly the family room with picture window focuses the connection to Point Perry and First Bay. From the bench seating, views are captured across the deck and pool all the way up the coast to Sunshine Beach.
The aesthetic appeal, whist unconventional, has garnered admirers both locally, who believe it captures a refined and elegant beach lifestyle without being derivative of past methods of creating the typical ‘beach house’, and internationally, demonstrated by the overwhelming request to feature the house in magazines, books and online.
All spaces except the upper floor master suite, which is a full storey above the ground floor to achieve the best of the views, are connected by half-levels, to maintain a connectivity through the house. Furnishings are a combination of contemporary freestanding pieces (eg. living room suite) and built in elements (external bench seat, internal family banquettes, master bedroom day bed, all designed in house). Views of the bays are achieved from the front entry right through the house and all but one bedroom enjoy water views. Wherever possible, spaces remain open plan (master en suite) to maximise the openness and sense of space. The tones and textures of the materials (timber, stone, carpet, tile) are accentuated over ‘feature’ colours, with highlights added in the soft furnishings and fabrics. The form of the interior cabinetry reflects in Calacutta marble and timber the white box featured on the street elevation (in white render and western red cedar).
The two en suites contained within the off form concrete continue the same rugged materiality internally, softened with crisp fittings, mirror and floor tile. These spaces are naturally illuminated with a feature skylight slicing through the concrete.
Detailing took into consideration the often formidable driving wind and rain to provide weather protection (particularly to the south east) to exclude draft and water.
‘Coolum Bays Beach House‘ was also awarded as a winner in numerous residential categories at both regional and state level at the BDAQ awards in 2013 and won the overall best residential design in Queensland.
Design Office: Aboda Design Group
Location: Coolum Beach, Queensland, Australia
Constractor: Fauna Homes
Photographs: Paul Smith Images
This luxurius home is located in Beverly Hills, California, Usa.
It was designed by DIJ Group.
Description by DIJ Group:
Single level built in 2016 with six bedrooms and eight bathrooms on a 33, 579 square foot lot in the prime lower Trousdale Estates section of Beverly Hills. Epic scale with walls of glass that disappear and blur the line between indoors/outdoors. A Fifty foot Zero edge infinity pool and a massive outdoor spa hug both ends of the living room. Designed for large scale entertaining; the vast living room offers exceptionally high ceilings and converts into a luxurious Screening Room as well. A state of the art Bulthaup main Kitchen is backed by a full catering kitchen. Formal Dining Room with a custom fifteen foot fireplace. Lucite temperature controlled double sided wine cellar. Master Suite with views of Beverly Hills, and closets that rival the finest stores on Rodeo Drive. Master Bath clad in book matched calacutta slab marble. Four additional “cabana rooms” each with walls of glass opening to the lush grounds and pool beyond. Attached staff quarters. Private behind discrete gates with a large motor court with ample off street parking. A Radiant Modern Estate in the finest location.
Naman Villa, the elegant and luxury Villa A of Naman Residence project, is located in Da Nang, Da Nang, Vietnam.
It was designed by MIA Design Studio.
Description by MIA Design Studio:
Naman Residence project locates on the famous Non Nuoc Beach in Danang Vietnam. The Project contains 40 Villas which is categorized into for type of A, B, C, D. We would like to introduce the architecture and interior of Naman Residence – Villa A
This is a very high quality project which inspires us a lot, require the most elegant and luxury design can adapt high standard of living but still remains the feeling of the beach. The idea is mainly focus on how to maximize privacy for every family but still create vast of pleasure spaces with nature integrating the sea.
To maximize the project’s efficiency, the master-plan is well organized but the way is too narrow with high density. Within this condition, our team’s goal is to make a creative and effective design to not only satisfied maximum privacy but also create extra benefits from natural voids and gardens.
Each villa has multi-dimensional landscape with overflow pools and tropical gardens. For every villa, our design also takes advantage of space using by lifting-twisting the upper block for bedrooms with privacy and open views. The lower block with living-dining-kitchen-bedroom has the direct connection to the pool and landscape. Moreover, we put waterscape into the rooftop of the lower block in order to cool down the whole building and improve the rooftop landscape aesthetically.
Density is now not a big problem, every villa has its own garden filled up with skylights and surrounding green environment. Our design philosophy is how to inside-out the initial using space, outside-in the natural gardens enhancing the luxury-home feeling.
The materials used in constructing the house are local materials to reduce the transporting fee and save the budget of Naman Villa. The design of the house is simple and sleek, so the cost for construction is not so high. The house is constructing with Hurricane protected structure but still remain natural ventilation.
Design Office: MIA Design Studio
Architect in Charge: Nguyen Hoang Manh
Interior Design: Steven Baeteman, Truong Trong Dat
Location: Da Nang, Da Nang, Vietnam
Project Year: 2015
Photographs: Hiroyuki Oki
The Planchonella House, a 280,0 m2 home with joyful spaces, is located in Queensland, Australia.
It was designed by Jesse Bennett Architect in 2014.
Description by Jesse Bennett Architect:
Planchonella House was designed with a simple idea in mind- to create a series of joyful spaces to inspire and enrich daily life. Set in tropical north Queensland, the house embraces the heritage rainforest surrounds and utilises experimental passive design methods. The simplistic approach and use of Lo-Fi technologies results in a raw and honest dwelling.
Contours of the site ridgeline have formed basis for the playful lines utilised in concrete profiles. As not to protrude out with the ridge, the profile is mirrored and cuts back in to the ridge. Visual amenity from surrounding lower areas has been maintained with this design in that rather than creating a dominant form on the landscape, it tucks back in at the critical highest most revealing point. The wings created each side of the ridge float into the surrounding rainforest and become part of the tree canopy.
The large flat roof with generous overhang acts as a rainforest canopy above, minimal walls and columns in between allow for un-obstructed views and moments to be shared with the landscape. This omission of boundaries between inside and outside gives an openness and quality of space that is surreal, living completely within and engulfed by a beautiful landscape. The resolution of plan follows a purely functional approach to use of space, privacy, visual connection and passive design principles.
The plan wraps around the courtyard space, which is considered the second hearth (after the kitchen) or perhaps lungs to the entire dwelling. The courtyard contributes much to the house and its occupants, it is an oasis that provides sun, light, ventilation, happiness, activity, visual stimulation, and entertainment. It also provides connection to the surrounding rainforest, connection from one part of the house to another, and acts as the focal node to the promenade experience of moving through the house.
This clean, fresh, and sophisticated apartment-showroom is located in Hong Kong, China.
It was designed by Lim+Lu.
Description by Lim+Lu:
The Stone House, a home for a young family, is located in Pretoria, South Africa.
It was designed by Slee & Co. Architects.
Description by Slee & Co. Architects:
We were commissioned to design a home for a young family with two adventurous boys. The clients bought a hectare stand in a rural estate with a ‘koppie’ (a small hill rising up from the African veld) and a magnificent view over the landscape to the east of Pretoria. They wanted a home where all of this could become part of their lives. The design consists of a series of over scaled, red, “ysterklip” walls reminiscent of the dry-packed kraal walls in and around Pretoria. These stone walls, housing all the services, were staggered and positioned in such a way to create sheltered spaces between them; privacy from the neighbors on the sides and their main function to concentrate and frame the important east and the west views. All the stone were collected from the site. Carefully placed roof lights allows north light to wash into the house against the stonewalls, compensating for the east/west orientation of the site. To the west the home opens up to the koppie where the kids have their tree house and secret forest hides. To the east the house concentrates on the magnificent views down the axis of the red stonewalls. The veldt was re-established and allowed to grow back, the kitchen garden and children play lawn to the back of the home and the private court gardens at the bathrooms are the only areas cultivated. The stone wall at the entrance leads you in from the south with an entrance gallery intersecting all the stone walls and spaces beyond, drama is added with light streaming in from the top and views confronting you to the right and left upon entering their spaces. The first space you intersect is the main living space, the dining room facing the koppie on the west and open plan kitchen hidden in the stonewall. To the east the living room extends out onto a covered terrace and open fire ring terrace with the view as its focus. The second space belongs to the kids with their bedrooms leading off their koppie. The rumpus room opens up onto the exercise lap pool framed by the stonewalls growing out of the water. The third, and more private, space belongs to the main bedroom suite, gym and guestroom/studio all with their private court gardens and bathrooms. Relaxed-muted, low maintenance finishes are used throughout with the red stone complimenting the client’s love for colour and texture. Sandstone planks are used in the bathrooms and outside areas where a non-slip surface is required. Granolithic floors make up the rest of the floor areas.
Design Office: Slee & Co. Architects
Location: Pretoria, South Africa
Project Year: 2007
Photographs: Slee & Co. Architects