Alps Villa, a house with an irregular plan shaped like a “C”, located in Brescia, Italy.
It was designed by Camillo Botticini Architect.
Description by Camillo Botticini Architect:
Alps Villa, a house with an irregular plan shaped like a “C”, located in Brescia, Italy.
It was designed by Camillo Botticini Architect.
Description by Camillo Botticini Architect:
The Shenzhen Marriott Hotel Nanshan transformed from the original colorful and luxurious style into the latest clean and elegant style and is located in Shenzhen, China.
It was designed by Cheng Chung Design.
Description by Cheng Chung Design:
Marriott International Business Image is Transforming The business image of Marriott International has undergone significant transformation from the original colorful and luxurious style into the latest clean and elegant style. Without excessive decorations, the architectural structures have become even more prominent to the eyes. Since Shenzhen Marriot Hotel Nanshan has planned to create a business image that focus on nature, fresh, modern, eco-friendliness, and technology, all materials applied in the hotels are of natural, ecological, handmade, and customized styles.
CCD First Creates an “Art Museum” Hotel The artworks placed at different floors of the hotel are originally designed by CCD. Together with experienced artists and fine craftsmen, CCD has made a dazzling array of beautiful artworks, creating an elegant and scholastic atmosphere nearly everywhere in the hotel.
Appraisal from All Sectors of the Community Three months since Shenzhen Marriot Hotel Nanshan was first opened to the public, all sectors of the community have been attracted to visit and experience the hotel for themselves. Many important clients, such as China Resources, Ping An Insurance, China Merchant Group and Huawei Technologies have made a special effort to organize a tour to visit the hotel in person. Some commented, “The hotel is both elegant and refined,” others commented, “The simple and fashionable style is indeed refreshing,” still others commented, “The hotel makes people feel comfortable at the first glance. It feels just like home.” Above all, most visitors commented the hotel as being “elegant”.
Design Principle Shenzhen Marriot Hotel Nanshan is located at Nanshan District of Shenzhen City, where Nanshan Mountain is widely famous for. Leaning against the mountain and facing the sea, the entire Nanshan District is historically known as a land filled with abundant plain and ocean resources. With both hands, local aborigines weave not only their fishing nets, fishing gears, clothes, hats, and shoes, but also their happy lives. Lychee flowers and lychee fruits that grow all over the mountain are indeed a real
blessing from heaven – suitable for our guests to experience “spring outings”, “summer resort”, “autumn hiking”, and “winter greenery” throughout the year.
Fishing villages, aboriginal weaving crafts, fishing nets, fishing gears, rolling hills and beautiful lychee flowers have all become the inspiration source of hotel designs. In particular, patterns and designs on the carpets, aesthetic linen clothes, folding screens, and fireplaces of the hotel have all embodied the image of “crisscross weaving crafts”, “nets”, “mountains”, and “lychee flowers”.
In terms of raw materials used, “stone material”, “wooden material”, “leather material” and “linen material” that exhibit natural textures and light tones are vastly applied in the hotel designs. Between prosperity and serenity, a sense of friendliness and peacefulness can be found. Several detail processes and atmospheric illuminations that bring out overall quality are applied to create an elegant and cozy spatial atmosphere, granting our guests with a sense of introverted elegance rather than superficial luxury.
By utilizing an approach that was originally intended for designing resort hotel, the design team has transformed the stereotypical business hotel into a “recreational business hotel”. As to guest room design, the design team was committed to create a spatial experience of a “private study room” in which our guests can rest their minds and read to their hearts’ fullest contents. With coziness and relaxation of a home and strict and cautiousness of an office interacting at the same time, an elegant, clean, and soft lifestyle is created, allowing our clients to relax from an exhausting day of business trip and pick up their business inspiration ever once again.
Hotel Introduction Shenzhen Marriott Hotel Nanshan is strategically located in the business center of Nanshan district, place in the landmark building with 300.8 meters height. The hotel offers 340 elegant guest rooms and suites (338 rooms + 1 presidential suite + 1 vice presidential suite) with captivating harbor and city views. In addition to that, the hotel has multiple high-end restaurant, including Nanshan Kitchen All Day Dining Restaurant, Man Ho Chinese Restaurant, Kanji Modern Japanese Restaurant, Lobby Lounge, The Café and Executive Lounge, offering guests both abundant choices and elegant environment. On the 62nd floor are a boundless swimming pool and a SPA center where our guest can relax and observe the splendid view right before their eyes. Furthermore, the hotel also possesses banquet and conference site which cover an area of 2,100 square meters.
Design Office: Cheng Chung Design
Location: Shenzhen, China
The former village school, which transformed into a house, is located in Tournai, Belgium.
It was designed by Guillaume Da Silva.
Description by Guillaume Da Silva:
This project was implemented in a former village school not far from Tournai (wallonie) close to the Belgian border. Classrooms partitions were removed in order to create intense light spaces. The garden with the pool replaced to the playground, the courtyard became a covered terrace. This building from the 20’s was renovated and transformed to welcome a family. Interior designing rests on various concepts:
• Highlighting the existing architecture and rough materials in some places, referring to the past.
• Working on lighting to create an atmosphere
• Working on indoor and outdoor spaces, creating perspectives and framing, elaborating symmetry and volumes proportions.
Design Office: Guillaume Da Silva
Location: Tournai, Belgium
Photographs: Guillaume Da Silva
The contemporary home is located in Melbourne, Australia.
It was designed by Alexandra Buchanan Architecture.
Description by Alexandra Buchanan Architecture:
Covered in trees with restricted access and falling steeply to the river, the site posed a number of design challenges, including Environmental and Bushfire Overlays (BAL29). The form and materiality of the house were guided by the views, orientation, topography and context.
The twin butterfly roofs lift the eaves to catch daylight from every direction and enhance the sense of space and connection to outdoors. The house’s dual ‘wings’ slide with the landscape to create privacy for neighbouring properties while maximising views, daylight and access to external entertaining spaces. A glazed circulation slot creates a dramatic but efficient connection between the two forms.
The generous roof terrace with external fireplace and arbour allow for contemporary outdoor entertaining as the natural terrain of the site falls below, relatively untouched.
Design Office: Alexandra Buchanan Architecture
Collaborators: Hive Engineering, Nathan Burckett Landscape Design
Location: North Warrandyte, Victoria, Australia
Area: 249,0 m2
Construction team: Eco Edge Homes
Photographs: Marvelle Photography
Ett Hem, the unusual and different hotel is located in Stockholm, Sweden.
It was designed and renovated by Studioilse.
Description by Studioilse:
Built in the first years of the twentieth century, this building was home to a government official and his wife, a lady with a love for the aesthetics of Karin Larsson, who collected objects, textiles and furniture from all over Sweden. This was a time when the home became the focus of art and life, and design was integrated into the everyday. The influence of the Arts & Crafts, the romantic notion of national character and the delight in the design of useful things, combined with an impulse to embed a family in a place through architecture. All together this created a very special moment for domestic architecture in Sweden.
Ett Hem, built in 1910, dates from this moment. The house in Sköldungagatan was designed by architect Fredrik Dahlberg. With its protective brick shell it weaves a coat against the harsh Swedish winter. In its interiors it has both the robust, dark-timberlined rooms of public life, the masculine realms.
Each room has its own cocktail cabinet in gleaming brass. And throughout the house is the owners’ personal collection of art and photography. At the heart of it all is the kitchen. Furnished with a big table, comfy chairs and settles.
Ett Hem is not the usual hotel. If Ett Hem is an idea of home, of comfort and security, of familiarity, the other is an institution, a series of services. Ett Hem is something very different. It is active, where the guests can subtly shift the conditions, the atmospheres, the conviviality. A hotel is passive, a place that exists with or without you.
While it has all the facilities expected today, Ett Hem is a place that allows the guest to become part of it. Guests are treated as friends of the family. They can turn on the television in the sitting room, borrow our car or take the dog for a walk. They can make themselves at home, help themselves from the fridge. The food changes with the seasons, the rooms warm up with stoves and cool down with a fresh breeze from an open window. Ett Hem is connected to the street and the sky, to the city, it is not a machine cut off from life outside. Ett Hem is as glamorous as it is casual, but while it is a luxury, it is not a luxury hotel.
The value of Ett Hem comes through the pleasure of proximity to beautiful things, of being in spaces that tell a story, and through an ethic of generosity and care. And to a degree, of being left alone to live in a very special house. This from the moment you step through the college door, enter the courtyard into the garden and go up the steps to the front door. In the entrance hall a fire is lit when its cold outside, and fresh cut flowers from the garden are arranged on the table. Check in and wait for friends by the fire. Ett Hem will feel familiar. It is a place to use as you please. Downstairs in the sitting room there are sofas to sink into and games to play. The library, a room to disappear into, is stacked high with books you actually want to read. And the leafy glass house, where you can take breakfast during the day, or where you can enjoy a twinkling feast at night. Upstairs the bedrooms have a warm domestic feel with a sophisticated edit of vintage and new pieces in tactile materials such as cane, wood, leather.
Design Office: Studioilse
Location: Stockholm, Sweden
Project Year: 2012
Photographs: Magnus Marding
This modern apartment is located Kiev, Ukraine.
It was designed by Diff.Studio.
Description by Diff.Studio:
Design Office: Diff.Studio
The Coolum Bays Beach House is located in Queensland, Australia.
It was designed by Aboda Design Group.
Description by Adoda Design Group:
As former owner of the adjoining property, the client’s imperative was to accommodate a family with the three children nearing adulthood and take advantage of the amazing potential for white water views from the Coolum Bays all the way to Noosa Heads. The challenge was to accommodate a steep driveway from Fauna Terrace, which tucked under the home to accommodate three cars (without requiring excavation of rock), half-storey accommodation above all within the local planning envelope.
Once the site constraints were fully understood, the building form was developed to accommodate the four en suited bedrooms, two living areas plus media room, kitchen, dining, laundry, home office, two powder rooms, workshop, pool and rainwater tank.
From the outset, the client (also the builder) confirmed the preferred floor construction was suspended concrete and the planning was then explored to exploit the best of this material, including large spans and cantilevers. Similarly, the desire to project the roof over the pool and deck could only be realised in structural steel – achieving a dramatic plane which ‘letterboxes’ the ocean vistas through a horizontal aperture.
The client also requested a durable, low maintenance home that would handle the extreme weather events that can occur in this location. As a result of its projection from the hillside, the wind and rain can be torrential, however through clever planning the family room was located at the south east end of the building, providing a buffer, creating comfortable, protected outdoor space on the adjacent deck.
As an informal family, the intent was to have a home that would ensure that everyone remained connected to one another, whilst also achieving distinct public and private spaces. Predominantly, this was achieved by stepping the building down the site, so that spaces cascade as half levels. The only full flight is to the private master bedroom suite located on the upper floor.
Again through clever planning and the integration of operable and fixed sun control devices (batten screens, vertical blades, natural vegetation), the home enjoys wonderful privacy from the street and neighbours, all without requiring boundary fencing.
Living spaces are arranged along this axis, all with access to northern light. A consequence of the steepness of the site was that the only compliant driveway location would be along the northern boundary, with car parking tucked beneath the house to maximise the northern exposure. Living spaces are arranged around the pool, which brings the benefits of cooling breezes and dappled light.
All three en suites are arranged to the west of the house, to act as a thermal buffer between the hot afternoon sun and the main living and bedroom spaces. Windows are kept to a minimum on this elevation and in the case of the master suite, are covered with a feature sun control batten screen over the fully operable louvres.
On the southern elevation, glazing is again used sparingly to achieve vistas of trees and the bays, and draw cool breezes through the house.
On the northern elevation, shading devices range from operable vertical blades to the living; timber batten screens to the study and master bedroom; and a large, projecting cantilevered roof over the pool and deck.
Glazing is generally highly operable stacking sliding doors or louvres and incorporate low-e glass. Fixed glass is used in locations heavily exposed to gales.
The materials sourced were a combination of concrete and steel for structural strength and durability, both readily available and recyclable, and locally sourced pine framing generally, with hardwood used for exposed timber elements. Wall finishes were Rockcote polymer render or James Hardie lightweight fibre cement cladding. Glazing and the feature entry awning are lightweight aluminium. Western red cedar was selected for the battens due to its hardiness.
The home is defined by clearly articulated shapes, the rectangular white master en suite box, flanked by the raking off form concrete ground floor en suites, in a symmetrical composition, capped by the feature polycarbonate awning. Contrast is achieved between the lightness of the upper elements and frameless glass entry door, counterpointed by the heaviness and solidity of the concrete boxes, feature tiled external walls and landscape gabions.
To the northern elevation, the composition is more dynamic, projecting from the hillside out towards the bays, the cantilever achieved with a combination of up and down-turned rendered concrete beams and concealed steel members hidden in the deck and roofs.
The home connects to Fauna Terrace, the bays and to Noosa Heads. At the street end, a steep slope has been tamed with the introduction of large format off form concrete ‘steppers’ and the conscious decision not to fence the site. Separation, as is the case internally, is achieved via levels rather than physical barriers. At the eastern end, the projection of the living spaces, particularly the family room with picture window focuses the connection to Point Perry and First Bay. From the bench seating, views are captured across the deck and pool all the way up the coast to Sunshine Beach.
The aesthetic appeal, whist unconventional, has garnered admirers both locally, who believe it captures a refined and elegant beach lifestyle without being derivative of past methods of creating the typical ‘beach house’, and internationally, demonstrated by the overwhelming request to feature the house in magazines, books and online.
All spaces except the upper floor master suite, which is a full storey above the ground floor to achieve the best of the views, are connected by half-levels, to maintain a connectivity through the house. Furnishings are a combination of contemporary freestanding pieces (eg. living room suite) and built in elements (external bench seat, internal family banquettes, master bedroom day bed, all designed in house). Views of the bays are achieved from the front entry right through the house and all but one bedroom enjoy water views. Wherever possible, spaces remain open plan (master en suite) to maximise the openness and sense of space. The tones and textures of the materials (timber, stone, carpet, tile) are accentuated over ‘feature’ colours, with highlights added in the soft furnishings and fabrics. The form of the interior cabinetry reflects in Calacutta marble and timber the white box featured on the street elevation (in white render and western red cedar).
The two en suites contained within the off form concrete continue the same rugged materiality internally, softened with crisp fittings, mirror and floor tile. These spaces are naturally illuminated with a feature skylight slicing through the concrete.
Detailing took into consideration the often formidable driving wind and rain to provide weather protection (particularly to the south east) to exclude draft and water.
‘Coolum Bays Beach House‘ was also awarded as a winner in numerous residential categories at both regional and state level at the BDAQ awards in 2013 and won the overall best residential design in Queensland.
Design Office: Aboda Design Group
Location: Coolum Beach, Queensland, Australia
Constractor: Fauna Homes
Photographs: Paul Smith Images
The Thirroul House, a 1980s cottage with open living and entertaining space, is located in Thirroul, Australia.
It was builded by Jason Miles.
Description by Jason Miles:
This 1980s cottage needed a significant rear addition to create more open living and entertaining space and give flowing access to the beautiful gardens. Upon a heated polished slab we built lightweight framing to support high ceilings and wide-span openings. The internal walls feature unique curves that seamlessly become the ceiling while streamlined kitchen joinery and extensive light and circulation deliver a true inside-out lifestyle. Again, the key to this job was shared enjoyment of creativity and constant communication.
Build Office: Jason Miles
Location: Thirroul, Australia
Photographs: Courtesy of Jason Miles
This clean, fresh, and sophisticated apartment-showroom is located in Hong Kong, China.
It was designed by Lim+Lu.
Description by Lim+Lu:
Double Bay House located in Sydney, Australia.
It was designed by Arent & Pyke.
Descriprion by Arent & Pyke:
Bringing the personality and warmth of a young family into the cool interior of this bay-side house, the design posits communication and flow as essential to living. As such, the grand staircase was remade as a visually dynamic, perpetually unfurling line traversing the three floors.
Recomposing the home to both a human scale and aesthetic, the design called for a complete rethink of the living spaces. From the entry hall to the suite of rooms on the third floor, nuance and detail of design were layered into a new palette comprising timber flooring, generous rugs and generously proportioned furnishings in natural leather and linen.
– Belle Coco Republic Interior Design Awards 2016
WINNER – People’s Choice Awards for Best Residential Interior
This modern family house is located in Vilnius, Lithuania.
It was designed by Devyni Architektai.
Description by Devyni Architektai:
A house of a young, creative and joyful family surrounded by a young pinewood.
Spaces are designed taking into account present needs of each family member alone as well as the needs of the family as a unit.
Fun with bright colors and cozy. With a help of natural fabrics and wood.
Design Office: Devyni Architektai
Location: Vilnius, Lithuania
Project Year: 2013
Photographs: Arunas Skrolis
This renovated, 250 m2, apartment is located in Via Roma in the centre of Turin, Italy.
It was designed by architects Andrea Marcante and Adelaide Testa of UdA Architetti.
Description by UdA Architetti:
The project designed by Andrea Marcante (the founder of Italian office UDA Architetti) and Adelaide Testa to restructure an approximately 250 m² rented apartment in Via Roma in the centre of Turin attempts to meet the needs of three generations: a father, his daughters and grandfather enjoying the rituals of everyday life under the same roof while, at the same time, having their own private spaces designed to meet their individual needs.
Marcante’s and Testa’s joint project is based on very close, constant and stimulating interaction with the clients bringing their own specific requirements in line with the setting in which this house, built from 1935-1937, is located. Having discovered that the interiors had completely lost all their original features, the perception of space and precision found in rationalist architecture and metaphysical painting from that period were inevitably sources of inspiration for the project designed by the architects.
The attempt to reproduce them in different proportions and using different materials can be seen in the plaster truss at the entrance that evokes the coffered portico in Via Roma. Similarly, the distortions in perspective of the ceiling in the dining area, created using stucco work and wallpaper, pay tribute to De Chirico’s dreamy, oneiric language and the plaster cornices framing the ceiling are reproduced in new patterns capable of identifying the specific functions below, regardless of the configurations of the walls.
The evocative force of the artist, who painted distinctive features of classical cities, most notably the empty colonnades and perspectives along roads and avenues he discovered walking around Turin, also suggests the geometric patterns of the new system of metal bars spreading through the various rooms and altering how their space is perceived: frames with glass shelves holding valuable objects, which, starting from the entrance, project into the lounge where they hold books and conceal the rear doors, not to mention the micro-architecture in the bedroom displaying a sort of re-found classicism: these historical citations are hinted at and interpreted but never philological.
A remix playing on a combination of conventional systems, design inventions and modern-day features ranging from the colour scheme (pastel and florescent shades) to designer furniture (by the likes of Prouvé, Sarfatti, Mendini and Tom Dixon) and design objects.
A house/stage where all the actors move easily: bedrooms to safeguard privacy but also shared spaces designed in languages holding onto what we hold dearest and, at the same time, stimulating interaction between different generations through unusual and unexpected architectural features.
As Alfred Hitchcock said when he visited Turin in 1960 “… it is rather mysterious and intriguing and even though I’ve only just got here, it looks promising and something unexpected might suddenly happen on any of its street corners…” We would also like to invite you to discover the unusual and unfamiliar perspectives this house-stage has to offer.
Design Office: UdA Architetti
Architects: Andrea Marcante, Adelaide Testa
Collaborators: Eirini Giannakopoulou, Giada Mazzero
Area: 250.0 m2
Location: Turin, Italy
Project Year: 2015
Photographs: Carola Ripamonti
Design Office: ZROBYM Architects
Location: Minsk, Belarus
Visualizations: ZROBYM Architects
Apartment WS located in Brazil.
It was designed by Yamagata Arquitetura.
Fitzroy Loft located in Melbourne, Australia.
It was designed by Architects EAT.
Description by Architects EAT:
This project is a conversion of a gritty 250m2 brick warehouse in the old industrial area of Fitroy into a family home. The former industrial building is a mixture of intimately scaled family spaces and vast entertaining voids. Two full height voids act as the lungs of the design bringing both light and sky views deep into the internal space. The private areas such as the study and bedroom are accommodated on the first floor by volumes of a more intimate scale.
The Fitzroy Loft was the Winner of 2016 Australian Interior Design Award for Residential Design.