Peninsula Residence | SJB Interiors

The liveable, tactile and comforting Peninsula Residence is located in Melbourne, Australia.

It was designed by SJB Interiors.

Description by SJB Interiors:

Designed to be tough… A bold reimagining honouring the history and integrity of the original home yet placing it firmly within contemporary 21st century design. A large glass pavilion houses the stunning new Master suite and multiple floor levels address the natural fall of the landscape. Tough materials like cedar, steel, glass, natural stone and concrete are featured in unrestrained sophistication.

Colour blazes forth unapologetically; glossy red echoes brazenly from kitchen to powderoom and the enclosed internal stairwell which leads to the roof terrace. Burnt oranges, vivid greens and moody blues elevate quiet spaces and pair perfectly alongside contemporary furnishings.

The result is a space that is certainly bold and unrestrained – yet more importantly it’s liveable, tactile and comforting.


Design Office: SJB Interiors

Location: Melbourne, Australia

Photographs: Nicole England


 

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Alps Villa | Camillo Botticini Architect

Alps Villa, a house with an irregular plan shaped like a “C”, located in Brescia, Italy.

It was designed by Camillo Botticini Architect.

Description by Camillo Botticini Architect:

The house stands on a clearing in the trees, 700 meters above sea level, close to the “Passo del Cavallo”, next to a road that connects Trompia Valley and Sabbia Valley on a steep slope. The landscape is characterized by an open valley to the south and a frame of green mountains with peaks of dolomite rock to the north.
We are still in a place close to the urban noise but at the same time far away, where the aroma of mountain herbs and grazing sheep seem to have stopped time; and this determines which condition founding: a primary relationship between the artificial intervention and nature.

The relationship with the ground and the landscape are the material that construct the project: the ground by communicating with the project operates a principle of “rootedness” into the slope to the north, where the house seems to bite the mountain, and the principle of “emancipation “to the south, with an overhang that throw the home to the valley.
To the north, a courtyard open to the Mount allows you to look at the profile of the dolomite rock spiers that at 1200 m above sea level continues the green plane tilted so that virtually close the fourth side of the house.
To the south a large window splayed mediates between the interior of the living and landscape, the light coming from the south continued with a bay window to the north patio.

Lightweight, integration at the site, opening and closing, no exhibitionism, connection to foundational principle generated by the performance of the ground and the internal organization of space, producing an idea of domestic that offers a contemporary housing responsive to the site.
These are the elements that make up the set, with a will of harmony and tension, looking for an architectural shape by the strong expressive intensity, but at the same time a shape of balance and rooting in the use of natural materials such as oxidized copper and wood.

The house has an irregular plan shaped like a “C” with a patio where the fourth side is made from a green plane that delivers the planimetric structure that generates the spaces of the house, creating three bodies with variable height increasing from north-est, where the volume disappears by integrating into the ground.
The first body has three bedrooms, two of them with windows facing the patio, through the bathroom; while the third bedroom has a subtracting that opens the master bedroom and its bathroom to the east into the clearing.
To the south of the second body with a height between 3.50 and 4.50 meters introduces the living room, and open space suspended between the patio and landscape. Its side closed is characterized by the presence of a fireplace that ends with a the same size the south window.
The living room continues with the dining area, to the west with the double height body: a continuous space, characterized by a structured cover consists by triangular planes, inside which is recessed the continuous lighting system.

The highest part of the body in the west is characterized by a loft under which it has the kitchen opens to the patio, while above it there is a space for the study.

It creates an integrated fluid area and open to the outside, simultaneously protected, almost closed on the east and west sides (where they open the window as an excavation of the room and bathroom).

Important the levels of access. The main, covered by the overhang of three meters of living, is placed in the to the south-east. Upon entering there is a ramp parallel to a great room with fireplace. Here goes a ladder to the dining room level and then to the mezzanine, where a skylight opens to the sky at north.

Access by road has two possibilities.
A driveway with covered ramp leading cars in the underground, which is one level below the main floor access. The pedestrian access is constituted by a suspended linear scale made of steel, from the road a space covered leads to the entry level.
An elevator connects the level of the garage with that of the living. Spaces and service areas are located in the basement. The house looks like in his primary relationship with the landscape without other artificial elements other than the suspended staircase that cuts the grass slope.

Geothermal system, heat pump, ventilated walls, creating a natural ventilation even though the deep walls (65 cm) that protect against cold and heat (energy italian rating higher than A+ cened) help to build a house with very low heating costs, almost to consumption and zero pollution.
We wanted an environmentally friendly home in the building materials and insulation, equipped with ventilated walls, a sustainable home in the settlement balance with the landscape.

Green meadows and trees framing the outer coating in corrugated oxide copper and Accoya wood (patented of undeformable wood of New Zealand pine replanted forest), the only elements that, with the triple room glass, are the artifice in counterpoint that interacts with nature.

The ventilated wall copper is modulated with a slight pleating to vibrate the light on the non-reflecting surface. The wood of the great splay reflects light that is refracted from the south.

The patio flooring made in iroko wood, the large windows integrated into the copper coating defines a space that is enhanced by a green maple that brings in a piece of nature, are not material around which you orient the house.

Inside, the floors are made of resin sand-colored, the walls are in plasterboard painted white and ceilings with recessed lights in the graft cut from the slab-wall, parapet are in glass and the windows made of painted iron have the objective of exalting the space and its continuity, favoring the integration to the site.


Design Office: Camillo Botticini Architect
Location: Brescia, Italy
Area: 360,00 m2
Construction Company: Baglioni Costruzioni Slr, Gardone Vt (Bs)
Structural Engineering: Franco Palmieri
Project Years: 2012 – 2014
Photographs: Nicolo Galeazzi


 

Nawamin 24 House | I Like Design Studio

Nawamin 24 House located in Bangkok, Thailand.

It was designed by I Like Design Studio.

 


Design Office: I Like Design Studio

Location: Bangkok, Thailand

Photographs: Soopakorn Srisakul


 

Casa Estudio | Intersticial Arquitectura

‘Casa Estudio’ is a modest-sized home located in Santiago de Querétaro, Mexico.

It was designed by Intersticial Arquitectura.

Description by Intersticial Arquitectura:

Acting as both a space for living and working, ‘Casa Estudio’ is a modest-sized home located in a micro industrial area of Queretaro City. The regeneration project saw the building dating back to the 1980s, being revitalized from a state of deterioration.

The firm in charge, Intersticial Arquitectura, chose to approach the run-down structure by understanding the pre-existing conditions. This led to the insertion of subtle interventions including the system of overlapping patios and straightforward construction methods. in turn, the series of patios allow for the house to be naturally ventilated and flooded with natural light. Meanwhile, clay and concrete was chosen to line the walls as it is a local material which carries strength and contrast.
The main challenge was to do more with less: to solve an architectural scheme that extends a studio space on the ground floor, which separates from a new apartment on the first floor, and to maximize the living space, inside and outside. Keeping with the tight budget, exposed materials form the character of the dwelling. as well as displaying a material contrast which in the end works as a whole, this meant challenging construction techniques had to be adopted. additionally, different textures that were locally sourced were brought in. For example the stem of the ‘junquillo’ plant has been dried, knotted and woven to feature in the screenings and rail coverings throughout the property.


Design Office: Intersticial Arquitectura

Location: Santiago de Querétaro, Mexico

Photographs: Intersticial Arquitectura


Ett Hem Hotel | Studioilse

Ett Hem, the unusual and different hotel is located in Stockholm, Sweden.

It was designed and renovated by Studioilse.

Description by Studioilse:

Built in the first years of the twentieth century, this building was home to a government official and his wife, a lady with a love for the aesthetics of Karin Larsson, who collected objects, textiles and furniture from all over Sweden. This was a time when the home became the focus of art and life, and design was integrated into the everyday. The influence of the Arts & Crafts, the romantic notion of national character and the delight in the design of useful things, combined with an impulse to embed a family in a place through architecture. All together this created a very special moment for domestic architecture in Sweden.

Ett Hem, built in 1910, dates from this moment. The house in Sköldungagatan was designed by architect Fredrik Dahlberg. With its protective brick shell it weaves a coat against the harsh Swedish winter. In its interiors it has both the robust, dark-timberlined rooms of public life, the masculine realms.

Each room has its own cocktail cabinet in gleaming brass. And throughout the house is the owners’ personal collection of art and photography. At the heart of it all is the kitchen. Furnished with a big table, comfy chairs and settles.

Ett Hem is not the usual hotel. If Ett Hem is an idea of home, of comfort and security, of familiarity, the other is an institution, a series of services. Ett Hem is something very different. It is active, where the guests can subtly shift the conditions, the atmospheres, the conviviality. A hotel is passive, a place that exists with or without you.

While it has all the facilities expected today, Ett Hem is a place that allows the guest to become part of it. Guests are treated as friends of the family. They can turn on the television in the sitting room, borrow our car or take the dog for a walk. They can make themselves at home, help themselves from the fridge. The food changes with the seasons, the rooms warm up with stoves and cool down with a fresh breeze from an open window. Ett Hem is connected to the street and the sky, to the city, it is not a machine cut off from life outside. Ett Hem is as glamorous as it is casual, but while it is a luxury, it is not a luxury hotel.

The value of Ett Hem comes through the pleasure of proximity to beautiful things, of being in spaces that tell a story, and through an ethic of generosity and care. And to a degree, of being left alone to live in a very special house. This from the moment you step through the college door, enter the courtyard into the garden and go up the steps to the front door. In the entrance hall a fire is lit when its cold outside, and fresh cut flowers from the garden are arranged on the table. Check in and wait for friends by the fire. Ett Hem will feel familiar. It is a place to use as you please. Downstairs in the sitting room there are sofas to sink into and games to play. The library, a room to disappear into, is stacked high with books you actually want to read. And the leafy glass house, where you can take breakfast during the day, or where you can enjoy a twinkling feast at night. Upstairs the bedrooms have a warm domestic feel with a sophisticated edit of vintage and new pieces in tactile materials such as cane, wood, leather.


Design Office: Studioilse

Location: Stockholm, Sweden

Project Year: 2012

Photographs: Magnus Marding


Capitol Hill Loft | SHED Architecture & Design

The 1,702 ft2 industrial loft was remodeled by SHED Architecture & Design.

It is located in Seattle, Washington, USA.

Description by SHED Architecture & Design:

SHED Architecture & Design, based in Seattle, recently completed a custom crafted urban remodel of a 1,702-square-foot Capitol Hill loft. The award-winning 1310 East Union Building designed by the Miller Hull Partnership for Seattle-based developers, Dunn + Hobbes, accommodates eight loft-style condominiums with big views of the surrounding neighborhood.
The client, a young couple who work nearby, came to the firm with an original layout that did not harmonize with everyday living patterns; an exposed entry way, lack of storage and oversized hallway left no place to hide. The main challenge was to add functional elements to the space that blended with the building’s original palette of concrete floors, zinc plated pan-decking ceiling, and blackened steel beams and railings.
Inserting a mix of texture, raw materials and functional elements, SHED Architecture & Design was able to artfully marry the new additions with the original industrial construction using a palette of concrete brick, stainless steel plate, blackened steel and mirror. In the kitchen, the counter was extended beyond the original range to create a protected entry way and more generous kitchen space. The brick found in the backsplash and island was chosen for its sympathetic materiality that is forceful enough to blend in with the native steel, while the boldly grained Zebra wood casework adds warmth and character.
The new island houses valuable additional storage, a built-in microwave (a playful “curly cord” hanging from the ceiling provides the power) and informal seating for four. Its wood top is easy on the elbows while the 3/16” stainless steel plate counter that flanks the sink and range is impervious to the hazards of the kitchen. The geometric wallpaper by local designer Brian Paquette adds subtle texture and movement to the space. Inspired by a traditional Japanese pattern book, the design was reproduced on 11×17 paper and applied to the wall using wheat paste.
The extended kitchen creates a protected entry way that lets things unfold naturally upon entering the space. The open cabinet above the extension sheds light into the entry and serves as a place for personal belongings; the bench below creates a space for shoes, and a mirror clad wall reflects light from the living room windows into the heart of the space. “These functional elements are things we think about when designing a new space; it’s a consistent theme on all our projects,” says Thomas Schaer, Principal of SHED Architecture & Design.
Under the stairs, the steel base board was replaced with steel plate to create a durable storage space for bikes. Storage was an outstanding issue throughout the loft, particularly in the master bedroom. The SHED team designed a lightweight enclosure of perforated steel that defines a closet space while maintaining the openness of the original layout.
The intention in the newly converted loft upstairs was the opposite; the formerly exposed loft space was closed off with a translucent 3Form wall panel and a framed wall to create a guest room and additional storage. The thoughtful mix of raw materials and targeted elements helped solve practical problems while building upon and enriching the original aesthetic of the building, leading to cohesive additions that feel native to the space. The remodel was skillfully executed by the firms frequent collaborators Dolanbuilt Construction.


Design Office: SHED Architecture & Design
Location: Seattle, Washington, USA
Area: 1702.0 ft2
Contractor: Dolanbuilt Construction
Project Year: 2015
Photographs: Mark Woods, James F. Housel


Minimax House | Eben Architects

Minimax House located in Bandung, Indonesia.

It was designed by Eben Architects.

 

Description by Eben Architects:

Standing above small plot of 80m2 in a challenging hills contour of Lembang area, this minimal size creating maximum functions for the family who lives there. It’s a single block -three storey- linear house, with no fixed programme. With the conformable function concept, it helps maximizing the available area to be adjusted according to the activities of the family.

Each level contains more than one programme that are connected by a big slide-able walls that allows the family to control the privacy and adjust the space and furniture to follow their day to day activities according to their needs. The concrete perforated block facade were added to elevate the privacy and hinder the sun rays, without blocking the air circulation.

On lower 1st storey, there are a small foyer, and a raised platform lounge to welcome the guests and at night it can be used for a small bedroom for them as well.

There’s three programmes on the 1st storey, private sleeping area, living and dining room. During the day, the private sleeping area, that separated with sliding door, can be opened and creates a big living area that also connected to outdoor terrace. This give the family free access to enjoy wider space for children activities, family gathering or even a party and at the same time breathe in Lembang’s fresh air. While at night, each programme fulfil its own function.

On the 2nd storey, there is one hall living room with access to small outdoor terrace and connect to the roof deck. It gives pleasant enjoyment to the surrounding mountainous view. While at night, it can be customized into two bed rooms.

This open-conformable plan concept gives the family maximum comfort and enjoyment to exploit the rooms according to their needs without adding another one.


Design Office: Eben Architects
Location: Bandung, Indonesia
Area: 110,0 m2
Project Year: 2014
Photographs: Leonard Kawun


 

 

Loft 19 | A+Z Design Studio

The Loft 19, an abandoned and peaceful environment with special aesthetics, is located in Budapest, Hungary.

It was designed by A+Z Design Studio.

Description by A+Z Design Studio:

“This is an island over the city, abandoned and peaceful environment with special aesthetics.“

No matter that living there is a bit like plunged into the world of  the “Sin City”  or the science fiction movie “Metropolis” of Fritz Lang.

The architect and production designer Attila F. Kovács and his wife art director and stylist Zsuzsa Megyesi found this  unusual giant space and movie set like environment ideal for making their home.

The HFF kniting factory complex is located in the southern part of the capital of Hungary, Budapest  and dates as early as from 1913-1915.  It was originally  built as a weapon factory designed by Árpád Gut and Jenö Gergely.  The Loft 19, this  tower like 600 sqm four-story -building  and the huge  factory complex are protected industrial monuments .

A concrete fire water tank was found in the attic which was turned into a swimming pool with artificial current.   The design of the space is a personal mix of different styles and eras. It is full of special pieces, collected one by one during decades in flea markets, auctions and antique shops or created by the designers themselves. Huge windows,  light, the unusual size rooms , the old structural elements and materials play the main role .  Old iron doors were kept, original beams reused for book shelves. The bedroom level on the contrary was designed to be  bold and private with a mid century “boudoir like” atmosphere to it.


Design Office: A+Z Design Studio

Location: Budapest, Hungary

Photographs: Beppe Brancato


Coolum Bays Beach House | Aboda Design Group

The Coolum Bays Beach House is located in Queensland, Australia.

It was designed by Aboda Design Group.

Description by Adoda Design Group:

As former owner of the adjoining property, the client’s imperative was to accommodate a family with the three children nearing adulthood and take advantage of the amazing potential for white water views from the Coolum Bays all the way to Noosa Heads. The challenge was to accommodate a steep driveway from Fauna Terrace, which tucked under the home to accommodate three cars (without requiring excavation of rock), half-storey accommodation above all within the local planning envelope.

Once the site constraints were fully understood, the building form was developed to accommodate the four en suited bedrooms, two living areas plus media room, kitchen, dining, laundry, home office, two powder rooms, workshop, pool and rainwater tank.

From the outset, the client (also the builder) confirmed the preferred floor construction was suspended concrete and the planning was then explored to exploit the best of this material, including large spans and cantilevers. Similarly, the desire to project the roof over the pool and deck could only be realised in structural steel – achieving a dramatic plane which ‘letterboxes’ the ocean vistas through a horizontal aperture.

The client also requested a durable, low maintenance home that would handle the extreme weather events that can occur in this location. As a result of its projection from the hillside, the wind and rain can be torrential, however through clever planning the family room was located at the south east end of the building, providing a buffer, creating comfortable, protected outdoor space on the adjacent deck.

As an informal family, the intent was to have a home that would ensure that everyone remained connected to one another, whilst also achieving distinct public and private spaces. Predominantly, this was achieved by stepping the building down the site, so that spaces cascade as half levels. The only full flight is to the private master bedroom suite located on the upper floor.

Again through clever planning and the integration of operable and fixed sun control devices (batten screens, vertical blades, natural vegetation), the home enjoys wonderful privacy from the street and neighbours, all without requiring boundary fencing.

Living spaces are arranged along this axis, all with access to northern light. A consequence of the steepness of the site was that the only compliant driveway location would be along the northern boundary, with car parking tucked beneath the house to maximise the northern exposure. Living spaces are arranged around the pool, which brings the benefits of cooling breezes and dappled light.

All three en suites are arranged to the west of the house, to act as a thermal buffer between the hot afternoon sun and the main living and bedroom spaces. Windows are kept to a minimum on this elevation and in the case of the master suite, are covered with a feature sun control batten screen over the fully operable louvres.

On the southern elevation, glazing is again used sparingly to achieve vistas of trees and the bays, and draw cool breezes through the house.

On the northern elevation, shading devices range from operable vertical blades to the living; timber batten screens to the study and master bedroom; and a large, projecting cantilevered roof over the pool and deck.

Glazing is generally highly operable stacking sliding doors or louvres and incorporate low-e glass. Fixed glass is used in locations heavily exposed to gales.

The materials sourced were a combination of concrete and steel for structural strength and durability, both readily available and recyclable, and locally sourced pine framing generally, with hardwood used for exposed timber elements. Wall finishes were Rockcote polymer render or James Hardie lightweight fibre cement cladding. Glazing and the feature entry awning are lightweight aluminium. Western red cedar was selected for the battens due to its hardiness.

The home is defined by clearly articulated shapes, the rectangular white master en suite box, flanked by the raking off form concrete ground floor en suites, in a symmetrical composition, capped by the feature polycarbonate awning. Contrast is achieved between the lightness of the upper elements and frameless glass entry door, counterpointed by the heaviness and solidity of the concrete boxes, feature tiled external walls and landscape gabions.

To the northern elevation, the composition is more dynamic, projecting from the hillside out towards the bays, the cantilever achieved with a combination of up and down-turned rendered concrete beams and concealed steel members hidden in the deck and roofs.

The home connects to Fauna Terrace, the bays and to Noosa Heads. At the street end, a steep slope has been tamed with the introduction of large format off form concrete ‘steppers’ and the conscious decision not to fence the site. Separation, as is the case internally, is achieved via levels rather than physical barriers. At the eastern end, the projection of the living spaces, particularly the family room with picture window focuses the connection to Point Perry and First Bay. From the bench seating, views are captured across the deck and pool all the way up the coast to Sunshine Beach.

The aesthetic appeal, whist unconventional, has garnered admirers both locally, who believe it captures a refined and elegant beach lifestyle without being derivative of past methods of creating the typical ‘beach house’, and internationally, demonstrated by the overwhelming request to feature the house in magazines, books and online.

All spaces except the upper floor master suite, which is a full storey above the ground floor to achieve the best of the views, are connected by half-levels, to maintain a connectivity through the house. Furnishings are a combination of contemporary freestanding pieces (eg. living room suite) and built in elements (external bench seat, internal family banquettes, master bedroom day bed, all designed in house). Views of the bays are achieved from the front entry right through the house and all but one bedroom enjoy water views. Wherever possible, spaces remain open plan (master en suite) to maximise the openness and sense of space. The tones and textures of the materials (timber, stone, carpet, tile) are accentuated over ‘feature’ colours, with highlights added in the soft furnishings and fabrics. The form of the interior cabinetry reflects in Calacutta marble and timber the white box featured on the street elevation (in white render and western red cedar).

The two en suites contained within the off form concrete continue the same rugged materiality internally, softened with crisp fittings, mirror and floor tile. These spaces are naturally illuminated with a feature skylight slicing through the concrete.

Detailing took into consideration the often formidable driving wind and rain to provide weather protection (particularly to the south east) to exclude draft and water.

Coolum Bays Beach House‘ was also awarded as a winner in numerous residential categories at both regional and state level at the BDAQ awards in 2013 and won the overall best residential design in Queensland.


Design Office: Aboda Design Group

Location: Coolum Beach, Queensland, Australia

Constractor: Fauna Homes

Photographs: Paul Smith Images

 

Planchonella House | Jesse Bennett Architect

The Planchonella House, a 280,0 m2  home with joyful spaces, is located in Queensland, Australia.

It was designed by Jesse Bennett Architect in 2014.

Description by Jesse Bennett Architect:

Planchonella House was designed with a simple idea in mind- to create a series of joyful spaces to inspire and enrich daily life. Set in tropical north Queensland, the house embraces the heritage rainforest surrounds and utilises experimental passive design methods. The simplistic approach and use of Lo-Fi technologies results in a raw and honest dwelling.

Contours of the site ridgeline have formed basis for the playful lines utilised in concrete profiles. As not to protrude out with the ridge, the profile is mirrored and cuts back in to the ridge. Visual amenity from surrounding lower areas has been maintained with this design in that rather than creating a dominant form on the landscape, it tucks back in at the critical highest most revealing point. The wings created each side of the ridge float into the surrounding rainforest and become part of the tree canopy.

The large flat roof with generous overhang acts as a rainforest canopy above, minimal walls and columns in between allow for un-obstructed views and moments to be shared with the landscape. This omission of boundaries between inside and outside gives an openness and quality of space that is surreal, living completely within and engulfed by a beautiful landscape. The resolution of plan follows a purely functional approach to use of space, privacy, visual connection and passive design principles.

The plan wraps around the courtyard space, which is considered the second hearth (after the kitchen) or perhaps lungs to the entire dwelling. The courtyard contributes much to the house and its occupants, it is an oasis that provides sun, light, ventilation, happiness, activity, visual stimulation, and entertainment. It also provides connection to the surrounding rainforest, connection from one part of the house to another, and acts as the focal node to the promenade experience of moving through the house.


Design Office: Jesse Bennett Architect
Location: Queensland, Australia
Interior Designer: Anne-Marie Campagnolo
Area: 280.0 m2
Project Year: 2014
Photographs: Sean Fennessy


Double Bay House | Arent & Pyke

Double Bay House located in Sydney, Australia.

It was designed by  Arent & Pyke.

Descriprion by Arent & Pyke:

Bringing the personality and warmth of a young family into the cool interior of this bay-side house, the design posits communication and flow as essential to living. As such, the grand staircase was remade as a visually dynamic, perpetually unfurling line traversing the three floors.
Recomposing the home to both a human scale and aesthetic, the design called for a complete rethink of the living spaces. From the entry hall to the suite of rooms on the third floor, nuance and detail of design were layered into a new palette comprising timber flooring, generous rugs and generously proportioned furnishings in natural leather and linen.


Design Office: Arent & Pyke
Location: Sydney, Australia
Photographs: Felix Forest
Awards:
– IDEA Interior Design Excellence Awards
   Shortlist – Residential Interior Design

– Belle Coco Republic Interior Design Awards 2016
   WINNER – People’s Choice Awards for Best Residential Interior


 

Loft in Milan | Studio Motta e Sironi

This modern Italian loft is located in Milan.

It was designed by Studio Motta e Sironi.


Design Office: Studio Motta e Sironi

Location: Milan, Italy

Photographs: Andriano Pecchio


 

House Mr. Bleen | Devyni Architektai

This modern family house is located in Vilnius, Lithuania.

It was designed by Devyni Architektai.

Description by Devyni Architektai:

A house of a young, creative and joyful family surrounded by a young pinewood.
Spaces are designed taking into account present needs of each family member alone as well as the needs of the family as a unit.
Fun with bright colors and cozy. With a help of natural fabrics and wood.


Design Office: Devyni Architektai
Location: Vilnius, Lithuania
Project Year: 2013
Photographs: Arunas Skrolis


 

House in Linderos | Cristian Hrdalo Architects

House in Linderos located in Chile.

It was designed by Cristian Hrdalo Architects.

 


Design Office: Cristian Hrdalo Architects
Location: Linderos, Chile
Area: 780.0 m2
Project Year: 2014
Photographs: Nico Saieh


 

 

 

Eco House | BXBstudio Bogusław Barnaś

Eco House located in South Poland.

It was designed by  BXBstudio Bogusław Barnaś.

Description by BXBstudio Bogusław Barnaś:

This project of sustainable house is located in the protected landscape area Nature 2000, surrounded by beech and oak forests, horse riding meadows and agricultural lands.

The building is designed in way to optimize the energy gains and losses. Sustainability of the house comes not only from unique technology but also through architectural form and shape that harmonizes with nature. Simulations of the sun position in a different period of the year allowed to create proper arrangement of the house layout and glass partition in way to gain heat in winter and to reduce overworming in summertime.

The house will be build in the Izodom technology. This is energy efficient and eco-friendly technologie that allows to minimize heat loss.


Design Office:: BXBstudio Bogusław Barnaś
Collaboration: Dominika Ropek
Consultations: Wiesław Ziembla
Location: South Poland
Project Year: 2012
Total area: 212.0 m2
Photographs: Courtesy of BXBstudio, Tomasz Jedrzejczak


 

 

 

 

Fitzroy Loft | Architects EAT

Fitzroy Loft  located in Melbourne, Australia.

It was designed by Architects EAT.

Description by Architects EAT:

This project is a conversion of a gritty 250m2 brick warehouse in the old industrial area of Fitroy into a family home. The former industrial building is a mixture of intimately scaled family spaces and vast entertaining voids. Two full height voids act as the lungs of the design bringing both light and sky views deep into the internal space. The private areas such as the study and bedroom are accommodated on the first floor by volumes of a more intimate scale.
The Fitzroy Loft was the Winner of 2016 Australian Interior Design Award for Residential Design.


Design Office: Architects EAT
Location
: Melbourne, Australia
Area: 250.0 m2
Completed Year: 2015
Photographs: Derek Swalwell


 

Nadja Apartment | Point Supreme

The renovated Nadja Apartment is located in Athens, Greece

It was designed by Point Supreme.

Description by Point Supreme:

Nadja consists of two apartments on subsequent floors that were renovated and connected with a stair in the middle.

The two levels were materialized as opposite spatial experiences. The lower level is a continuous, marine-like environment with big pieces of furniture anchoring the family’s communal activities like floating islands. Instead of the typical division of rooms for kitchen, dining, living and playing, spaces in Nadja are flexible and look towards each other. They are furnished with custom made constructions that serve as viewing devices; the cupboards, seats, stair, shelves and tables are mixed with different typologies of screens, interior partitions, curtains and other visual filters that physically delineate while visually connecting.

The most central element is a complex construction featuring the stair, living room and kitchen cupboards, a glass display partition, a built-in plant pot, a blackboard and a pink sun rising towards upstairs. It is a miniature piece of architecture in itself providing a focal point within the large open plan.The upper level hosts a dense living environment with a more earthly atmosphere. The bedrooms are designed as combinations of two complementary types of spaces, a more social area and a more intimate, private zone. This floor is rich in graphic treatment that complements the architecture, for example in the design of doors and bathrooms, at times inspired by Greek island architecture.The clients followed closely the design process. They continuously supported and further challenged the architecture, therefore achieving an extremely rich and satisfying result. The project was built in collaboration with KN Group constructions.


Design Office: Point Supreme
Architects:  Konstantinos Pantazis, Marianna Rentzou, Leonardos Katsaros, Lefteris Dousis
Location: Athens, Greece
Area: 270.0 m2
Year: 2014
Pm & Construction: KN Group, Konstantinos Stratantonakis

Photographs: Yannis Drakoulidis & Point Supreme


Garden House | DCPP Αrquitectos

Garden House located in Mexico.

It was designed by DCPP Αrquitectos.

Description by DCPP Αrquitectos:

Garden House is a residential project located in an enclosed area of the San Angel neighborhood in Mexico City.
The house is designed with two facades, one of them very closed to the neighborhood, and the other one much more open to a back garden which also faces south.
Most of the house is designed on a single level, with a guest or play room and service room on the second level.
The house is divided into 3 blocks on the ground floor, one for the most private area, another for the public area and another for services.
With this, the house is open to the garden in an L-shaped scheme, with a single perpendicular component that houses the living and dining rooms, this body of the house is transparent on both sides and can be fully opened, the enclosures can be hidden, thus creating a space with a terrace condition, where interior and exterior become blurred creating a visual continuity in the garden.
To avoid placing supports in this area as in the private area, we chose to integrate steel beams, which keep the clear open and also function as parasols.
In contrast, the service area is much more massive and closed. As a whole, this gives a unique twist to the house, and a variant play of shadows.


Design Office: DCPP Αrquitectos
Location: Mexico
Area: 530.00 m2
Project Year: 2012
Photographs: Rafael Gamo


The Barrancas House | Ezequiel Farca architecture & design

The Barrancas House is located in Mexico City, Mexico.

It was design by Ezequiel Farca architecture & design in 2014.


Description by Ezequiel Farca:

The Barrancas House is the result of the restoration of a house built in the seventies in Mexico City, which didn´t have any attract at first but had great spatial potential.

It became a challenge for our office to create a home focusing on incredible attention to detail, modernity and discovery of the different spaces and levels to generate expectation and surprise.

We took advantage of the location of the house that has views towards the woods so we installed floor to ceiling windows so that natural elements from the exterior such as natural light, views to the woods become part of the interior without compromising the comfort and intimacy of the inhabitants.

The amenities for the family to enjoy inside the privacy of their home include a home theater, a wine cellar, a gym, 2 terraces, a pool, garden and green areas.

Discovering the house through the hallways, leads to multifunctional impredictible spaces achieved through movable screen walls , hidden doors, bay windows that open entirely, furniture designed especially for each space, automatic lightening system, for each need of the inhabitants.

The landscape was designed with plants that adjust to the local clima, with green roof and green walls, it also has a solar energy system and a automatized water saving system.

The materials used include marble, stone, wood, together with neutral tones as dark green or chocolate that give an earthy feeling that will integrate the interior with the exterior and create the sensation of unlimited space.


Design Office  : Ezequiel Farca architecture & design
Location           : Mexico City, Mexico
Architects        : Ezequiel Farca, Cristina Grappin, Fernanda de la Mora
Area                   : 720.00 m2
Project Year     : 2014

Photographs    : Jaime Navarro, Roland Halbe


Globus the Restaurant | 1919

Globus the Restaurant is located in Saint Petersburg, Russia.

It was designed by 1919 in 2014.


Description by 1919:

Finland’s proximity served as an inspiring factor in the development of this space. The building also, found itself surrounded by a dense belt of firry forest on two of its sides; a fact that added to a sort of natural “scandinavian countryside” feeling of the area.

We used as much of the structural elements of the building in the interior as was sanely possible. Materials was rather succinct and included oil-treated Wallnut and ash, powder-coated steel and exposed concrete.

A doughnut shaped mezzanine defined the double level open space. Intricately shaped but structurally simple gemini stairs provided the communication between the two levels.

A bare minimum of partitioning kept the space on the open side while still providing quite a few secluded corners for those who can be intimidated by such volume, or simply prefer a more intimate setting.


Design Office  : 1919
Location           : Saint Petersburg, Russia
Client                : Globus Group
Area                   : 3000 sqft
Project Year     : 2014
Photos               : Igor Simkin