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The Shenzhen Marriott Hotel Nanshan transformed from the original colorful and luxurious style into the latest clean and elegant style and is located in Shenzhen, China.
It was designed by Cheng Chung Design.
Description by Cheng Chung Design:
Marriott International Business Image is Transforming The business image of Marriott International has undergone significant transformation from the original colorful and luxurious style into the latest clean and elegant style. Without excessive decorations, the architectural structures have become even more prominent to the eyes. Since Shenzhen Marriot Hotel Nanshan has planned to create a business image that focus on nature, fresh, modern, eco-friendliness, and technology, all materials applied in the hotels are of natural, ecological, handmade, and customized styles.
CCD First Creates an “Art Museum” Hotel The artworks placed at different floors of the hotel are originally designed by CCD. Together with experienced artists and fine craftsmen, CCD has made a dazzling array of beautiful artworks, creating an elegant and scholastic atmosphere nearly everywhere in the hotel.
Appraisal from All Sectors of the Community Three months since Shenzhen Marriot Hotel Nanshan was first opened to the public, all sectors of the community have been attracted to visit and experience the hotel for themselves. Many important clients, such as China Resources, Ping An Insurance, China Merchant Group and Huawei Technologies have made a special effort to organize a tour to visit the hotel in person. Some commented, “The hotel is both elegant and refined,” others commented, “The simple and fashionable style is indeed refreshing,” still others commented, “The hotel makes people feel comfortable at the first glance. It feels just like home.” Above all, most visitors commented the hotel as being “elegant”.
Design Principle Shenzhen Marriot Hotel Nanshan is located at Nanshan District of Shenzhen City, where Nanshan Mountain is widely famous for. Leaning against the mountain and facing the sea, the entire Nanshan District is historically known as a land filled with abundant plain and ocean resources. With both hands, local aborigines weave not only their fishing nets, fishing gears, clothes, hats, and shoes, but also their happy lives. Lychee flowers and lychee fruits that grow all over the mountain are indeed a real
blessing from heaven – suitable for our guests to experience “spring outings”, “summer resort”, “autumn hiking”, and “winter greenery” throughout the year.
Fishing villages, aboriginal weaving crafts, fishing nets, fishing gears, rolling hills and beautiful lychee flowers have all become the inspiration source of hotel designs. In particular, patterns and designs on the carpets, aesthetic linen clothes, folding screens, and fireplaces of the hotel have all embodied the image of “crisscross weaving crafts”, “nets”, “mountains”, and “lychee flowers”.
In terms of raw materials used, “stone material”, “wooden material”, “leather material” and “linen material” that exhibit natural textures and light tones are vastly applied in the hotel designs. Between prosperity and serenity, a sense of friendliness and peacefulness can be found. Several detail processes and atmospheric illuminations that bring out overall quality are applied to create an elegant and cozy spatial atmosphere, granting our guests with a sense of introverted elegance rather than superficial luxury.
By utilizing an approach that was originally intended for designing resort hotel, the design team has transformed the stereotypical business hotel into a “recreational business hotel”. As to guest room design, the design team was committed to create a spatial experience of a “private study room” in which our guests can rest their minds and read to their hearts’ fullest contents. With coziness and relaxation of a home and strict and cautiousness of an office interacting at the same time, an elegant, clean, and soft lifestyle is created, allowing our clients to relax from an exhausting day of business trip and pick up their business inspiration ever once again.
Hotel Introduction Shenzhen Marriott Hotel Nanshan is strategically located in the business center of Nanshan district, place in the landmark building with 300.8 meters height. The hotel offers 340 elegant guest rooms and suites (338 rooms + 1 presidential suite + 1 vice presidential suite) with captivating harbor and city views. In addition to that, the hotel has multiple high-end restaurant, including Nanshan Kitchen All Day Dining Restaurant, Man Ho Chinese Restaurant, Kanji Modern Japanese Restaurant, Lobby Lounge, The Café and Executive Lounge, offering guests both abundant choices and elegant environment. On the 62nd floor are a boundless swimming pool and a SPA center where our guest can relax and observe the splendid view right before their eyes. Furthermore, the hotel also possesses banquet and conference site which cover an area of 2,100 square meters.
Design Office: Cheng Chung Design
Location: Shenzhen, China
Ett Hem, the unusual and different hotel is located in Stockholm, Sweden.
It was designed and renovated by Studioilse.
Description by Studioilse:
Built in the first years of the twentieth century, this building was home to a government official and his wife, a lady with a love for the aesthetics of Karin Larsson, who collected objects, textiles and furniture from all over Sweden. This was a time when the home became the focus of art and life, and design was integrated into the everyday. The influence of the Arts & Crafts, the romantic notion of national character and the delight in the design of useful things, combined with an impulse to embed a family in a place through architecture. All together this created a very special moment for domestic architecture in Sweden.
Ett Hem, built in 1910, dates from this moment. The house in Sköldungagatan was designed by architect Fredrik Dahlberg. With its protective brick shell it weaves a coat against the harsh Swedish winter. In its interiors it has both the robust, dark-timberlined rooms of public life, the masculine realms.
Each room has its own cocktail cabinet in gleaming brass. And throughout the house is the owners’ personal collection of art and photography. At the heart of it all is the kitchen. Furnished with a big table, comfy chairs and settles.
Ett Hem is not the usual hotel. If Ett Hem is an idea of home, of comfort and security, of familiarity, the other is an institution, a series of services. Ett Hem is something very different. It is active, where the guests can subtly shift the conditions, the atmospheres, the conviviality. A hotel is passive, a place that exists with or without you.
While it has all the facilities expected today, Ett Hem is a place that allows the guest to become part of it. Guests are treated as friends of the family. They can turn on the television in the sitting room, borrow our car or take the dog for a walk. They can make themselves at home, help themselves from the fridge. The food changes with the seasons, the rooms warm up with stoves and cool down with a fresh breeze from an open window. Ett Hem is connected to the street and the sky, to the city, it is not a machine cut off from life outside. Ett Hem is as glamorous as it is casual, but while it is a luxury, it is not a luxury hotel.
The value of Ett Hem comes through the pleasure of proximity to beautiful things, of being in spaces that tell a story, and through an ethic of generosity and care. And to a degree, of being left alone to live in a very special house. This from the moment you step through the college door, enter the courtyard into the garden and go up the steps to the front door. In the entrance hall a fire is lit when its cold outside, and fresh cut flowers from the garden are arranged on the table. Check in and wait for friends by the fire. Ett Hem will feel familiar. It is a place to use as you please. Downstairs in the sitting room there are sofas to sink into and games to play. The library, a room to disappear into, is stacked high with books you actually want to read. And the leafy glass house, where you can take breakfast during the day, or where you can enjoy a twinkling feast at night. Upstairs the bedrooms have a warm domestic feel with a sophisticated edit of vintage and new pieces in tactile materials such as cane, wood, leather.
Design Office: Studioilse
Location: Stockholm, Sweden
Project Year: 2012
Photographs: Magnus Marding
Alex Hotel is located in Australia.
It was designed by Space Agency + Arent & Pyke.
Description by Arent & Pyke:
Alex Hotel responds to the overarching concept of the ‘Hotel as Home’. Together with the client, four key concepts were established for the interior design; ‘the personal’, ‘the escape’, ‘the craft’ and ‘the legacy’, to nurture a sense of intimacy, connectedness and domesticity. With the client, there was always a discussion about ‘Alex’ being someone familliar to us all; an uncle whose home you love to visit, a treasured old friend with a house full of wonderment. The interior design, furnishing and styling imagines the richness, the personality, a sense of frivolity and the layering of a story.
Description by Renda Helin design:
Konforsit Edu.Suites boys dormitory located in Eyup, İstanbul is based on two blocks of building which are a fiction venue offers students by having their own private space and another suitable one for socialising. The custom-designed suits furnished with closets, desks, kitchen niches and bed compartments for each student room.
These compartments are seperated each other by letters such as A,B,C and different concept colors to prevent the possible confusions. Bed compartments are designed also to have special drawers. All beds designed with blackout curtains preventing roommates desk lights while they work and provide privacy. Some rooms are designed in more luxurious way having with their own living room, kitchen with full equipment and terraces; balconies to be aimed to regain of home environment.
The rooms have an individuality that given the importance of creating common areas intended to improve socialization; cafe, gentlemen club with terrace, barbeque terrace, hobby kitchen, study room, computer room, mini cinema and playstation room, game park which includes table tennis, billiards, pinball and dart. Sports and health facilities are also very important for the dormitory, so there is a crossfit area, fitness area, sauna, massage room and infirmary areas are designed. These energetic of spaces in public areas, care has been taken to include positive colors,messages and every area has its own concept . Even the concept of laundry which is a horrifying thing for man who do not understand; comic hero names given to the washing machines and all areas being considered waggishly to be a unique venue for all with itself.
Concept of the cafe is that all students become the future lawyers, doctors, ceo’s etc. So it reminds to the students that it is a big decision that what they are going to be or the profession that they choose will change their lives forever. As a symbol usage of blackboards everywhere that they should also work hard for this decision. Some chairs around the longtable is the people that change the world like Tesla, Gandhi, Einstein, Bruce Lee etc. which means that every student have a power to change the world in a better way.
The exterior casing of windows are made of concept colors at the exterior of the building , are designed to cut the intense light comes from South and provide also privacy at the same time as a second task.
Design Office: Renda Helin design
Location: Istanbul, Turkey
Description by O-0ffice Architects:
Youth Hotel of iD Town, on the hilltop of the seaside valley, was originally served as one of the dormitory building in Honghua Dying Factory’s residential area, representing the settlements of the first batch of immigrant labors after the open-reform policy and industrialization that firstly took place in Shenzhen.
The renovation process mainly consists of two spatial actions: firstly equipping the central corridor with new hotel infrastructure to facilitate the new living units, and secondly installing a sequence of prefab steel opening box on the existing facade to create a more dynamic interaction between the building and the surrounding nature. The ground floor functions as a multi-purpose social space with a variety of facilities containing reception, cafe, open kitchen and common space. By a subtle alteration of the original structure this handful of functions dynamically relate to one and other.
The living units, located from the 2nd floor to the 4th, brought back to life by small adaptations of the original framework bringing the opportunity of a new perspective to the original spatial composition. All these subtle but influential alterations creates a new breath to this once ruined structure.
Design Office: O-0ffice Architects
Location: Shenzhen, China
Description by Kostas Zouvelos:
The towers, these imposing tall and narrow prisms, are the most stubborn and absolute expression of Mani building. On the outskirts of the settlements, the “xemonia” were erected in order to defend or expand the land property. They served to control, exclude or drive out the opponents, but also to transfer the pressure from the main settlement to new territories.
Tainaron Blue Retreat is a representative sample of traditional xemonia of the South. The tower – now transformed into a small guest house – is facing a similar construction, which had also been a strong fortified complex. Both together, they controlled the road to the area around Tainaron. The war tower is built on solid ground and rocks known as “rizomies”, at a strategic spot that offers an amazing view of the sea and the hinterland.
The restoration of the traditional building solved form issues in relation to the old texture of the masonry, so that the final look of the tower gives the impression of a building that emerges from the rock, upon which it is founded. The grouting internally and externally was done with real “kourasani” or Roman mortar (a combination of Theraic soil, ceramic powder, lime and a special shade of river sand) and minimum amount of cement, which enhances the static adequacy of the masonry and ensures durability.
The conversion of the tower into a guest house had to overcome considerable difficulties. The reason was the need for a high degree of adaptation to the specific characteristics of the regional architecture and at the same time the demand for accommodation in rooms with modern aesthetic perception. The four floors, with their relatively limited interior spaces that comprise of three bedrooms with bathroom and shared kitchen, breakfast and reception space, are organized along a vertical axis, allowing guests to have the unique experience of moving through narrow openings (“waterfalls”), wooden stairs or rocks protruding from the walls and arches (“steps”).
As the formation of the exterior spaces had to ensure minimum interference, the addition of a water surface area adapted to the specific environment and respected the topography of the landscape, resulting in an even and unified set of buildings and space with intensity and character.
Tainaron Blue Hotel has been awarded the Special Committee Award for Overall Rating, at the 100% Hotel Design Awards 2015.
Design Office: Kostas Zouvelos, Kassiani Theodorakakou
Location: Asiata, Sminos, Greece
Photographs: George Meitner
Design Office: Meyer Davis Studio
Location: Miami, Florida, Usa
Photographs: Eric Laignel
Description by Vírgula i:
Hotel Minho renewal and extension is part of a wider process of hotel redesign where architecture is the central part of the new hotel visual identity. Based on the architecture project, a new hotel was created, not only through the building, but also on how it communicates its various physical and digital media: in site, in the interior and product design, in the web, in its graphic identity or in its corporate image.
In all these fields of design the new hotel claims its contemporaneity, the quality of its materials, services and spaces. The architecture emerges as the anchor element of the Hotel Minho re-branding, making the previous name fall – Hotel Turismo do Minho – introducing new areas, the new spa, the new business floor, the new and renewed social areas, stating clearly in its architecture, interior and communication design, as well as the spaces created for the new hotel program. The architectural project was not limited to the coordination of various traditional expertise – the engineering or the interior design – but it was also the coordinator of the teams who have handled with the new identity, linking all the parts of the strategy, in a strong proximity with the client.
The spatial solution created by the architecture project intended a strong integration between the existing building and the new extension, but decreasing to the highest level the visual impact of the new constructions. The project is assumed as strongly introverted, not wanting to show itself to the outside, but instead to private exterior courtyards, full of natural light and with a strong relationship with the surroundings.
Design Office: Vírgula i
Location: Vila Nova de Cerveira, Portugal
Hotel and market in the mountains of Japan.
Description by Kengo Kuma and associates:
Yusuhara Machino-eki is a complex of a market selling local products and a small hotel with 15 rooms. Combining the two different functions via atrium, a new core facility was born for the town of 3,900 in the mountains. Yusuhara is widely known as the town facing a main road used by Sakamoto Ryoma, a high-minded warrior of the region who contributed to the initiation of the Meiji Restoration (big political reform). Along the road, there existed a number of greenrooms called “Chad Do” for travelers, which functioned not only as restrooms but also as a kind of cultural salon, serving teas free of charge. As an attempt to respect this history, we used thatch as the material, which is deeply related to “Cha Do,” which worked as a medium to connect the past with the present. Glass fittings are used for the lower part of the building, including the market’s entrance facing the front road, which can be open at any hour of the day, and on top of it come piles of the straw unit in the module of 2,000×980mm, an unprecedented form for a curtain wall. Normally in a thatched roofing, thatch is fixed vertically against the foundation, in which its cut ends face towards outside. In this building, however, the bunch of thatch is bound horizontally to the foundation, with which the cut end won’t be exposed to rainfalls, and will last long. As another device, pivots are set on the steel mullion at the both ends of each thatch unit, so that it can rotate and take in fresh air from outside, which will the maintenance of the thatch easier. For the interior, we used logs of cedar tree with some remained astringent skin. The remain of the astringent was controlled by the pitch of the bark peeler, so that some nuance was added to their texture. Using rough-textured materials, such as thatch and log, we tried to create a new characteristics of Yusuhara.
Design Office: Kengo Kuma and associates
Location: Yusuhara, Japan
Photographs: Takumi Ota
Design Office: Isay Weinfeld
Location: Punta del Este, Uruguay