Jains House located in Mumbai, India.
It was designed by Skyward Inc.
Design Office: Skyward Inc
Location: Juhu, Mumbai, India
Area: 1800 sq.ft.
Project Year: 2013-2015
Photographs: Skyward Inc
The Loft 19, an abandoned and peaceful environment with special aesthetics, is located in Budapest, Hungary.
It was designed by A+Z Design Studio.
Description by A+Z Design Studio:
“This is an island over the city, abandoned and peaceful environment with special aesthetics.“
No matter that living there is a bit like plunged into the world of the “Sin City” or the science fiction movie “Metropolis” of Fritz Lang.
The architect and production designer Attila F. Kovács and his wife art director and stylist Zsuzsa Megyesi found this unusual giant space and movie set like environment ideal for making their home.
The HFF kniting factory complex is located in the southern part of the capital of Hungary, Budapest and dates as early as from 1913-1915. It was originally built as a weapon factory designed by Árpád Gut and Jenö Gergely. The Loft 19, this tower like 600 sqm four-story -building and the huge factory complex are protected industrial monuments .
A concrete fire water tank was found in the attic which was turned into a swimming pool with artificial current. The design of the space is a personal mix of different styles and eras. It is full of special pieces, collected one by one during decades in flea markets, auctions and antique shops or created by the designers themselves. Huge windows, light, the unusual size rooms , the old structural elements and materials play the main role . Old iron doors were kept, original beams reused for book shelves. The bedroom level on the contrary was designed to be bold and private with a mid century “boudoir like” atmosphere to it.
Design Office: A+Z Design Studio
Location: Budapest, Hungary
Photographs: Beppe Brancato
The Coolum Bays Beach House is located in Queensland, Australia.
It was designed by Aboda Design Group.
Description by Adoda Design Group:
As former owner of the adjoining property, the client’s imperative was to accommodate a family with the three children nearing adulthood and take advantage of the amazing potential for white water views from the Coolum Bays all the way to Noosa Heads. The challenge was to accommodate a steep driveway from Fauna Terrace, which tucked under the home to accommodate three cars (without requiring excavation of rock), half-storey accommodation above all within the local planning envelope.
Once the site constraints were fully understood, the building form was developed to accommodate the four en suited bedrooms, two living areas plus media room, kitchen, dining, laundry, home office, two powder rooms, workshop, pool and rainwater tank.
From the outset, the client (also the builder) confirmed the preferred floor construction was suspended concrete and the planning was then explored to exploit the best of this material, including large spans and cantilevers. Similarly, the desire to project the roof over the pool and deck could only be realised in structural steel – achieving a dramatic plane which ‘letterboxes’ the ocean vistas through a horizontal aperture.
The client also requested a durable, low maintenance home that would handle the extreme weather events that can occur in this location. As a result of its projection from the hillside, the wind and rain can be torrential, however through clever planning the family room was located at the south east end of the building, providing a buffer, creating comfortable, protected outdoor space on the adjacent deck.
As an informal family, the intent was to have a home that would ensure that everyone remained connected to one another, whilst also achieving distinct public and private spaces. Predominantly, this was achieved by stepping the building down the site, so that spaces cascade as half levels. The only full flight is to the private master bedroom suite located on the upper floor.
Again through clever planning and the integration of operable and fixed sun control devices (batten screens, vertical blades, natural vegetation), the home enjoys wonderful privacy from the street and neighbours, all without requiring boundary fencing.
Living spaces are arranged along this axis, all with access to northern light. A consequence of the steepness of the site was that the only compliant driveway location would be along the northern boundary, with car parking tucked beneath the house to maximise the northern exposure. Living spaces are arranged around the pool, which brings the benefits of cooling breezes and dappled light.
All three en suites are arranged to the west of the house, to act as a thermal buffer between the hot afternoon sun and the main living and bedroom spaces. Windows are kept to a minimum on this elevation and in the case of the master suite, are covered with a feature sun control batten screen over the fully operable louvres.
On the southern elevation, glazing is again used sparingly to achieve vistas of trees and the bays, and draw cool breezes through the house.
On the northern elevation, shading devices range from operable vertical blades to the living; timber batten screens to the study and master bedroom; and a large, projecting cantilevered roof over the pool and deck.
Glazing is generally highly operable stacking sliding doors or louvres and incorporate low-e glass. Fixed glass is used in locations heavily exposed to gales.
The materials sourced were a combination of concrete and steel for structural strength and durability, both readily available and recyclable, and locally sourced pine framing generally, with hardwood used for exposed timber elements. Wall finishes were Rockcote polymer render or James Hardie lightweight fibre cement cladding. Glazing and the feature entry awning are lightweight aluminium. Western red cedar was selected for the battens due to its hardiness.
The home is defined by clearly articulated shapes, the rectangular white master en suite box, flanked by the raking off form concrete ground floor en suites, in a symmetrical composition, capped by the feature polycarbonate awning. Contrast is achieved between the lightness of the upper elements and frameless glass entry door, counterpointed by the heaviness and solidity of the concrete boxes, feature tiled external walls and landscape gabions.
To the northern elevation, the composition is more dynamic, projecting from the hillside out towards the bays, the cantilever achieved with a combination of up and down-turned rendered concrete beams and concealed steel members hidden in the deck and roofs.
The home connects to Fauna Terrace, the bays and to Noosa Heads. At the street end, a steep slope has been tamed with the introduction of large format off form concrete ‘steppers’ and the conscious decision not to fence the site. Separation, as is the case internally, is achieved via levels rather than physical barriers. At the eastern end, the projection of the living spaces, particularly the family room with picture window focuses the connection to Point Perry and First Bay. From the bench seating, views are captured across the deck and pool all the way up the coast to Sunshine Beach.
The aesthetic appeal, whist unconventional, has garnered admirers both locally, who believe it captures a refined and elegant beach lifestyle without being derivative of past methods of creating the typical ‘beach house’, and internationally, demonstrated by the overwhelming request to feature the house in magazines, books and online.
All spaces except the upper floor master suite, which is a full storey above the ground floor to achieve the best of the views, are connected by half-levels, to maintain a connectivity through the house. Furnishings are a combination of contemporary freestanding pieces (eg. living room suite) and built in elements (external bench seat, internal family banquettes, master bedroom day bed, all designed in house). Views of the bays are achieved from the front entry right through the house and all but one bedroom enjoy water views. Wherever possible, spaces remain open plan (master en suite) to maximise the openness and sense of space. The tones and textures of the materials (timber, stone, carpet, tile) are accentuated over ‘feature’ colours, with highlights added in the soft furnishings and fabrics. The form of the interior cabinetry reflects in Calacutta marble and timber the white box featured on the street elevation (in white render and western red cedar).
The two en suites contained within the off form concrete continue the same rugged materiality internally, softened with crisp fittings, mirror and floor tile. These spaces are naturally illuminated with a feature skylight slicing through the concrete.
Detailing took into consideration the often formidable driving wind and rain to provide weather protection (particularly to the south east) to exclude draft and water.
‘Coolum Bays Beach House‘ was also awarded as a winner in numerous residential categories at both regional and state level at the BDAQ awards in 2013 and won the overall best residential design in Queensland.
Design Office: Aboda Design Group
Location: Coolum Beach, Queensland, Australia
Constractor: Fauna Homes
Photographs: Paul Smith Images
This luxurius home is located in Beverly Hills, California, Usa.
It was designed by DIJ Group.
Description by DIJ Group:
Single level built in 2016 with six bedrooms and eight bathrooms on a 33, 579 square foot lot in the prime lower Trousdale Estates section of Beverly Hills. Epic scale with walls of glass that disappear and blur the line between indoors/outdoors. A Fifty foot Zero edge infinity pool and a massive outdoor spa hug both ends of the living room. Designed for large scale entertaining; the vast living room offers exceptionally high ceilings and converts into a luxurious Screening Room as well. A state of the art Bulthaup main Kitchen is backed by a full catering kitchen. Formal Dining Room with a custom fifteen foot fireplace. Lucite temperature controlled double sided wine cellar. Master Suite with views of Beverly Hills, and closets that rival the finest stores on Rodeo Drive. Master Bath clad in book matched calacutta slab marble. Four additional “cabana rooms” each with walls of glass opening to the lush grounds and pool beyond. Attached staff quarters. Private behind discrete gates with a large motor court with ample off street parking. A Radiant Modern Estate in the finest location.
The Thirroul House, a 1980s cottage with open living and entertaining space, is located in Thirroul, Australia.
It was builded by Jason Miles.
Description by Jason Miles:
This 1980s cottage needed a significant rear addition to create more open living and entertaining space and give flowing access to the beautiful gardens. Upon a heated polished slab we built lightweight framing to support high ceilings and wide-span openings. The internal walls feature unique curves that seamlessly become the ceiling while streamlined kitchen joinery and extensive light and circulation deliver a true inside-out lifestyle. Again, the key to this job was shared enjoyment of creativity and constant communication.
Build Office: Jason Miles
Location: Thirroul, Australia
Photographs: Courtesy of Jason Miles
Naman Villa, the elegant and luxury Villa A of Naman Residence project, is located in Da Nang, Da Nang, Vietnam.
It was designed by MIA Design Studio.
Description by MIA Design Studio:
Naman Residence project locates on the famous Non Nuoc Beach in Danang Vietnam. The Project contains 40 Villas which is categorized into for type of A, B, C, D. We would like to introduce the architecture and interior of Naman Residence – Villa A
This is a very high quality project which inspires us a lot, require the most elegant and luxury design can adapt high standard of living but still remains the feeling of the beach. The idea is mainly focus on how to maximize privacy for every family but still create vast of pleasure spaces with nature integrating the sea.
To maximize the project’s efficiency, the master-plan is well organized but the way is too narrow with high density. Within this condition, our team’s goal is to make a creative and effective design to not only satisfied maximum privacy but also create extra benefits from natural voids and gardens.
Each villa has multi-dimensional landscape with overflow pools and tropical gardens. For every villa, our design also takes advantage of space using by lifting-twisting the upper block for bedrooms with privacy and open views. The lower block with living-dining-kitchen-bedroom has the direct connection to the pool and landscape. Moreover, we put waterscape into the rooftop of the lower block in order to cool down the whole building and improve the rooftop landscape aesthetically.
Density is now not a big problem, every villa has its own garden filled up with skylights and surrounding green environment. Our design philosophy is how to inside-out the initial using space, outside-in the natural gardens enhancing the luxury-home feeling.
The materials used in constructing the house are local materials to reduce the transporting fee and save the budget of Naman Villa. The design of the house is simple and sleek, so the cost for construction is not so high. The house is constructing with Hurricane protected structure but still remain natural ventilation.
Design Office: MIA Design Studio
Architect in Charge: Nguyen Hoang Manh
Interior Design: Steven Baeteman, Truong Trong Dat
Location: Da Nang, Da Nang, Vietnam
Project Year: 2015
Photographs: Hiroyuki Oki
The Planchonella House, a 280,0 m2 home with joyful spaces, is located in Queensland, Australia.
It was designed by Jesse Bennett Architect in 2014.
Description by Jesse Bennett Architect:
Planchonella House was designed with a simple idea in mind- to create a series of joyful spaces to inspire and enrich daily life. Set in tropical north Queensland, the house embraces the heritage rainforest surrounds and utilises experimental passive design methods. The simplistic approach and use of Lo-Fi technologies results in a raw and honest dwelling.
Contours of the site ridgeline have formed basis for the playful lines utilised in concrete profiles. As not to protrude out with the ridge, the profile is mirrored and cuts back in to the ridge. Visual amenity from surrounding lower areas has been maintained with this design in that rather than creating a dominant form on the landscape, it tucks back in at the critical highest most revealing point. The wings created each side of the ridge float into the surrounding rainforest and become part of the tree canopy.
The large flat roof with generous overhang acts as a rainforest canopy above, minimal walls and columns in between allow for un-obstructed views and moments to be shared with the landscape. This omission of boundaries between inside and outside gives an openness and quality of space that is surreal, living completely within and engulfed by a beautiful landscape. The resolution of plan follows a purely functional approach to use of space, privacy, visual connection and passive design principles.
The plan wraps around the courtyard space, which is considered the second hearth (after the kitchen) or perhaps lungs to the entire dwelling. The courtyard contributes much to the house and its occupants, it is an oasis that provides sun, light, ventilation, happiness, activity, visual stimulation, and entertainment. It also provides connection to the surrounding rainforest, connection from one part of the house to another, and acts as the focal node to the promenade experience of moving through the house.
This clean, fresh, and sophisticated apartment-showroom is located in Hong Kong, China.
It was designed by Lim+Lu.
Description by Lim+Lu:
The Stone House, a home for a young family, is located in Pretoria, South Africa.
It was designed by Slee & Co. Architects.
Description by Slee & Co. Architects:
We were commissioned to design a home for a young family with two adventurous boys. The clients bought a hectare stand in a rural estate with a ‘koppie’ (a small hill rising up from the African veld) and a magnificent view over the landscape to the east of Pretoria. They wanted a home where all of this could become part of their lives. The design consists of a series of over scaled, red, “ysterklip” walls reminiscent of the dry-packed kraal walls in and around Pretoria. These stone walls, housing all the services, were staggered and positioned in such a way to create sheltered spaces between them; privacy from the neighbors on the sides and their main function to concentrate and frame the important east and the west views. All the stone were collected from the site. Carefully placed roof lights allows north light to wash into the house against the stonewalls, compensating for the east/west orientation of the site. To the west the home opens up to the koppie where the kids have their tree house and secret forest hides. To the east the house concentrates on the magnificent views down the axis of the red stonewalls. The veldt was re-established and allowed to grow back, the kitchen garden and children play lawn to the back of the home and the private court gardens at the bathrooms are the only areas cultivated. The stone wall at the entrance leads you in from the south with an entrance gallery intersecting all the stone walls and spaces beyond, drama is added with light streaming in from the top and views confronting you to the right and left upon entering their spaces. The first space you intersect is the main living space, the dining room facing the koppie on the west and open plan kitchen hidden in the stonewall. To the east the living room extends out onto a covered terrace and open fire ring terrace with the view as its focus. The second space belongs to the kids with their bedrooms leading off their koppie. The rumpus room opens up onto the exercise lap pool framed by the stonewalls growing out of the water. The third, and more private, space belongs to the main bedroom suite, gym and guestroom/studio all with their private court gardens and bathrooms. Relaxed-muted, low maintenance finishes are used throughout with the red stone complimenting the client’s love for colour and texture. Sandstone planks are used in the bathrooms and outside areas where a non-slip surface is required. Granolithic floors make up the rest of the floor areas.
Design Office: Slee & Co. Architects
Location: Pretoria, South Africa
Project Year: 2007
Photographs: Slee & Co. Architects
Double Bay House located in Sydney, Australia.
It was designed by Arent & Pyke.
Descriprion by Arent & Pyke:
Bringing the personality and warmth of a young family into the cool interior of this bay-side house, the design posits communication and flow as essential to living. As such, the grand staircase was remade as a visually dynamic, perpetually unfurling line traversing the three floors.
Recomposing the home to both a human scale and aesthetic, the design called for a complete rethink of the living spaces. From the entry hall to the suite of rooms on the third floor, nuance and detail of design were layered into a new palette comprising timber flooring, generous rugs and generously proportioned furnishings in natural leather and linen.
– Belle Coco Republic Interior Design Awards 2016
WINNER – People’s Choice Awards for Best Residential Interior
This modern family house is located in Vilnius, Lithuania.
It was designed by Devyni Architektai.
Description by Devyni Architektai:
A house of a young, creative and joyful family surrounded by a young pinewood.
Spaces are designed taking into account present needs of each family member alone as well as the needs of the family as a unit.
Fun with bright colors and cozy. With a help of natural fabrics and wood.
Design Office: Devyni Architektai
Location: Vilnius, Lithuania
Project Year: 2013
Photographs: Arunas Skrolis
This renovated, 250 m2, apartment is located in Via Roma in the centre of Turin, Italy.
It was designed by architects Andrea Marcante and Adelaide Testa of UdA Architetti.
Description by UdA Architetti:
The project designed by Andrea Marcante (the founder of Italian office UDA Architetti) and Adelaide Testa to restructure an approximately 250 m² rented apartment in Via Roma in the centre of Turin attempts to meet the needs of three generations: a father, his daughters and grandfather enjoying the rituals of everyday life under the same roof while, at the same time, having their own private spaces designed to meet their individual needs.
Marcante’s and Testa’s joint project is based on very close, constant and stimulating interaction with the clients bringing their own specific requirements in line with the setting in which this house, built from 1935-1937, is located. Having discovered that the interiors had completely lost all their original features, the perception of space and precision found in rationalist architecture and metaphysical painting from that period were inevitably sources of inspiration for the project designed by the architects.
The attempt to reproduce them in different proportions and using different materials can be seen in the plaster truss at the entrance that evokes the coffered portico in Via Roma. Similarly, the distortions in perspective of the ceiling in the dining area, created using stucco work and wallpaper, pay tribute to De Chirico’s dreamy, oneiric language and the plaster cornices framing the ceiling are reproduced in new patterns capable of identifying the specific functions below, regardless of the configurations of the walls.
The evocative force of the artist, who painted distinctive features of classical cities, most notably the empty colonnades and perspectives along roads and avenues he discovered walking around Turin, also suggests the geometric patterns of the new system of metal bars spreading through the various rooms and altering how their space is perceived: frames with glass shelves holding valuable objects, which, starting from the entrance, project into the lounge where they hold books and conceal the rear doors, not to mention the micro-architecture in the bedroom displaying a sort of re-found classicism: these historical citations are hinted at and interpreted but never philological.
A remix playing on a combination of conventional systems, design inventions and modern-day features ranging from the colour scheme (pastel and florescent shades) to designer furniture (by the likes of Prouvé, Sarfatti, Mendini and Tom Dixon) and design objects.
A house/stage where all the actors move easily: bedrooms to safeguard privacy but also shared spaces designed in languages holding onto what we hold dearest and, at the same time, stimulating interaction between different generations through unusual and unexpected architectural features.
As Alfred Hitchcock said when he visited Turin in 1960 “… it is rather mysterious and intriguing and even though I’ve only just got here, it looks promising and something unexpected might suddenly happen on any of its street corners…” We would also like to invite you to discover the unusual and unfamiliar perspectives this house-stage has to offer.
Design Office: UdA Architetti
Architects: Andrea Marcante, Adelaide Testa
Collaborators: Eirini Giannakopoulou, Giada Mazzero
Area: 250.0 m2
Location: Turin, Italy
Project Year: 2015
Photographs: Carola Ripamonti
Design Office: ZROBYM Architects
Location: Minsk, Belarus
Visualizations: ZROBYM Architects
Apartment WS located in Brazil.
It was designed by Yamagata Arquitetura.
Eco House located in South Poland.
It was designed by BXBstudio Bogusław Barnaś.
Description by BXBstudio Bogusław Barnaś:
This project of sustainable house is located in the protected landscape area Nature 2000, surrounded by beech and oak forests, horse riding meadows and agricultural lands.
The building is designed in way to optimize the energy gains and losses. Sustainability of the house comes not only from unique technology but also through architectural form and shape that harmonizes with nature. Simulations of the sun position in a different period of the year allowed to create proper arrangement of the house layout and glass partition in way to gain heat in winter and to reduce overworming in summertime.
The house will be build in the Izodom technology. This is energy efficient and eco-friendly technologie that allows to minimize heat loss.
Design Office:: BXBstudio Bogusław Barnaś
Collaboration: Dominika Ropek
Consultations: Wiesław Ziembla
Location: South Poland
Project Year: 2012
Total area: 212.0 m2
Photographs: Courtesy of BXBstudio, Tomasz Jedrzejczak
Fitzroy Loft located in Melbourne, Australia.
It was designed by Architects EAT.
Description by Architects EAT:
This project is a conversion of a gritty 250m2 brick warehouse in the old industrial area of Fitroy into a family home. The former industrial building is a mixture of intimately scaled family spaces and vast entertaining voids. Two full height voids act as the lungs of the design bringing both light and sky views deep into the internal space. The private areas such as the study and bedroom are accommodated on the first floor by volumes of a more intimate scale.
The Fitzroy Loft was the Winner of 2016 Australian Interior Design Award for Residential Design.